Includes bibliographical references and index.

Preliminary Material -- Introduction: Michelangelo in the New Millennium -- 1 Site-Specificity / Joost Keizer -- 2 Michelangelo’s Strozzi Tondo?: Securing Status with Art / Eric R. Hupe -- 3 The Pitti Tondo: A “Sibylline” Madonna / Emily Fenichel -- 4 Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo’s Doni Tondo and Sistine Ceiling Frescoes / Jonathan Kline -- 5 Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / Erin Sutherland Minter -- 6 Michelangelo the “Lefty”: The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / Margaret Kuntz -- Coda Michelangelo’s Suicidal Stone -- Epilogue Twenty-first Century Versus Twentieth Century Methodologies / Marcia B. Hall -- Index.

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Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall

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