Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity /
Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity /
Edited by Tamara Smithers.
- 1 online resource.
- Brill's studies in intellectual history ; v. 254 Brill's studies on art, art history, and intellectual history ; v. 14 .
- Brill's Studies in Intellectual History 254/14. Brill's Studies in Intellectual History Online, Supplement 2016, ISBN: 9789004309685. .
Includes bibliographical references and index.
Preliminary Material -- Introduction: Michelangelo in the New Millennium -- 1 Site-Specificity / 2 Michelangelo’s Strozzi Tondo?: Securing Status with Art / 3 The Pitti Tondo: A “Sibylline” Madonna / 4 Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo’s Doni Tondo and Sistine Ceiling Frescoes / 5 Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / 6 Michelangelo the “Lefty”: The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / Coda Michelangelo’s Suicidal Stone -- Epilogue Twenty-first Century Versus Twentieth Century Methodologies / Index. Joost Keizer -- Eric R. Hupe -- Emily Fenichel -- Jonathan Kline -- Erin Sutherland Minter -- Margaret Kuntz -- Marcia B. Hall --
Available to subscribing member institutions only.
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
9789004313637
10.1163/9789004313637 DOI
2015049472
Michelangelo Buonarroti, 1475-1564 --Criticism and interpretation.
N6923.B9
759.5
Includes bibliographical references and index.
Preliminary Material -- Introduction: Michelangelo in the New Millennium -- 1 Site-Specificity / 2 Michelangelo’s Strozzi Tondo?: Securing Status with Art / 3 The Pitti Tondo: A “Sibylline” Madonna / 4 Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo’s Doni Tondo and Sistine Ceiling Frescoes / 5 Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / 6 Michelangelo the “Lefty”: The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / Coda Michelangelo’s Suicidal Stone -- Epilogue Twenty-first Century Versus Twentieth Century Methodologies / Index. Joost Keizer -- Eric R. Hupe -- Emily Fenichel -- Jonathan Kline -- Erin Sutherland Minter -- Margaret Kuntz -- Marcia B. Hall --
Available to subscribing member institutions only.
Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
9789004313637
10.1163/9789004313637 DOI
2015049472
Michelangelo Buonarroti, 1475-1564 --Criticism and interpretation.
N6923.B9
759.5