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Collage culture : (Record no. 12915)

MARC details
000 -LEADER
fixed length control field 03454cam a2200493Ii 4500
001 - CONTROL NUMBER
control field BRILL9789401209427
003 - CONTROL NUMBER IDENTIFIER
control field nllekb
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610104758.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un uuuua
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 130921s2013 ne sb 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789401209427
Qualifying information (electronic book)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789042036819
Qualifying information (print)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1163/9789401209427
Source of number or code DOI
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)858764910
Canceled/invalid control number (OCoLC)891466473
040 ## - CATALOGING SOURCE
Original cataloging agency NL-LeKB
Transcribing agency NL-LeKB
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N7433.8
Item number .B384 2013
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART
Subject category code subdivision 000000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code ACX
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code DES008000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 702.81/20973
Edition information 22
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Banash, David.
245 10 - TITLE STATEMENT
Title Collage culture :
Remainder of title readymades, meaning, and the age of consumption /
Statement of responsibility, etc. David Banash.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Amsterdam :
Name of producer, publisher, distributor, manufacturer Editions Rodopi,
Date of production, publication, distribution, manufacture, or copyright notice 2013.
300 ## - online resource
Extent 1 online resource (312 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Postmodern studies ;
Volume/sequential designation v. 49
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Preliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY’S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
506 ## - RESTRICTIONS ON ACCESS NOTE
Terms governing access Available to subscribing member institutions only.
520 ## - SUMMARY, ETC.
Summary, etc. Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Collage.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Postmodernism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Arts
General subdivision Philosophy.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Arts
General subdivision Philosophy.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Collage.
Source of heading or term fast
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Postmodernism.
Source of heading or term fast
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Banash, David.
Title Collage culture.
Place, publisher, and date of publication Amsterdam : Editions Rodopi, 2013
International Standard Book Number 9789401209427
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Postmodern Studies
Volume/sequential designation 49.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Literature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891.
856 4# - ELECTRONIC LOCATION AND ACCESS
Public note DOI:
Uniform Resource Identifier <a href="http://dx.doi.org/10.1163/9789401209427">http://dx.doi.org/10.1163/9789401209427</a>

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