Collage culture : readymades, meaning, and the age of consumption /
Banash, David.
Collage culture : readymades, meaning, and the age of consumption / David Banash. - 1 online resource (312 pages) - Postmodern studies ; v. 49 . - Postmodern Studies 49. Literature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891. .
Includes bibliographical references and index.
Preliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY’S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
Available to subscribing member institutions only.
Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
9789401209427
10.1163/9789401209427 DOI
Collage.
Postmodernism.
Arts--Philosophy.
Arts--Philosophy.
Collage.
Postmodernism.
N7433.8 / .B384 2013
702.81/20973
Collage culture : readymades, meaning, and the age of consumption / David Banash. - 1 online resource (312 pages) - Postmodern studies ; v. 49 . - Postmodern Studies 49. Literature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891. .
Includes bibliographical references and index.
Preliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY’S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
Available to subscribing member institutions only.
Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
9789401209427
10.1163/9789401209427 DOI
Collage.
Postmodernism.
Arts--Philosophy.
Arts--Philosophy.
Collage.
Postmodernism.
N7433.8 / .B384 2013
702.81/20973