| 000 | 01741nas a2200349 i 4500 | ||
|---|---|---|---|
| 001 | 14762870 | ||
| 003 | StDuBDS | ||
| 005 | 20260610094401.0 | ||
| 006 | m||||fo||j|||||||| | ||
| 007 | cr|||||||||||| | ||
| 008 | 160929d19832015enk|| p| |||| 0 |2eng|d | ||
| 022 |
_a1476-2870 _y0736-0053 |
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| 035 | _a(OCoLC)50719596 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda _epn |
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| 050 | 4 | _aML1699 | |
| 072 | 7 |
_aMUS _2ukslc |
|
| 082 | 0 | 4 |
_a782.105 _223 |
| 245 | 0 | 4 | _aThe opera quarterly. |
| 264 | 3 | 1 |
_aOxford : _bOxford University Press, _c1983-2015. |
| 300 | _a1 online resource | ||
| 310 |
_aQuarterly, _b1983-2015 |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_acomputer _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 362 | 1 | _a1983-2015. | |
| 520 | 8 | _aSince its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike for its engagement within the field of opera studies. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, assumed the executive editorship of The Opera Quarterly, with the goal of extending the journal's reputation as a rigorous forum for all aspects of opera and operatic production. Under David's and new Executive Editor Ryan Minor's stewardship, the journal is resituated squarely at the intersection of performance, theory, and history, with a purview encompassing contemporary developments on the stage and in the academy. | |
| 588 | _aDescription based on online resource; title from home page (viewed on September 29, 2016). | ||
| 650 | 0 |
_aOpera _vPeriodicals. |
|
| 650 | 7 |
_aMusic. _2ukslc |
|
| 776 | 0 | 8 |
_iPrint version : _x0736-0053 |
| 856 | 4 | 0 |
_3Oxford journals _uhttps://academic.oup.com/oq |
| 999 |
_c9473 _d9473 |
||