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010			_a 2017029636
020			_a9789004354128 _q(electronic book)
020			_z9789004354104 _q(print)
024	7		_a10.1163/9789004354128 _2DOI
035			_a 2017029636 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda
043			_aen-----
050		4	_aN6750 _b.P75 2017
072		7	_aACN _2bicssc
072		7	_aART015030 _2bisacsh
082	0	4	_a709.48/09024 _223
245	0	4	_aThe primacy of the image in northern European art, 1400-1700 : _bessays in honor of Larry Silver / _cedited by Debra Taylor Cashion, Henry Luttikhuizen, Ashley D. West.
264		1	_aLeiden ; _aBoston : _bBrill, _c[2017]
300			_a1 online resource (xxxvii, 593 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aBrill's studies in intellectual history, _x0920-8607 ; _vv. 271
490	0		_aBrill's studies on art, art history, and intellectual history ; _vv. 22
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material -- _tStrategies of Intimacy: Memling’s Triptych of Adriaan Reins / _rLynn F. Jacobs -- _tThose Who Are Bashful Starve: An Interpretation of the Master of the Brunswick Diptych’s Holy Family at Meal / _rHenry Luttikhuizen -- _tHugo van der Goes and Portraiture / _rMaryan W. Ainsworth -- _tThe Besieged War-Elephant: A Boschian Moralized Antiwar Discourse / _rYona Pinson -- _tThe Overpainted Patron: Some Considerations about Dating Bosch’s Last Judgment Triptych in Vienna / _rErwin Pokorny -- _tThe Red Jew, Red Altarpiece and Jewish Iconography in Jan de Beer’s St. Joseph and the Suitors / _rDan Ewing -- _t“Headlong” into Pieter Bruegel’s Series of the Seasons / _rReindert L. Falkenburg -- _tBetter Living Through Misinterpretation / _rBret Rothstein -- _tThe Last Supper with Donors in the Chrysler Museum Collection / _rLloyd DeWitt -- _tMichiel Coxcie’s Artistic Quotations in The Death of Abel / _rChristopher D. M. Atkins -- _tVeronica’s Textile / _rHerbert L. Kessler -- _tIt’s February in the Early Fifteenth Century: What’s for Dinner? / _rHarry Rand -- _tOratio ad Proprium Angelum: The Guardian Angel in the Rothschild Hours / _rDagmar Eichberger -- _tChinese Painting and Dutch Book Arts: The Challenges of Cross-Cultural Interpretation / _rDawn Odell -- _tKinesis and Death in Lautensack / _rChristopher P. Heuer -- _tVirgil’s Flute: the Art and Science of “Antique Letters” and the Origins of Knowledge / _rAndrew Morrall -- _tBorn to Teach: Nikolaus Glockendon’s Finding of Jesus in the Temple / _rDebra Taylor Cashion -- _tNicolaes Witsen’s Collection, his Influence, and the Primacy of the Image / _rRebecca P. Brienen -- _tDürer’s Rhinoceros Underway: the Epistemology of the Copy in the Early Modern Print / _rStephanie Leitch -- _tPraying against Pox: New Reflections on Dürer’s Jabach Altarpiece / _rBirgit Ulrike Münch -- _tThe Weird Sisters of Hans Baldung Grien / _rBonnie Noble -- _tPreserving Destruction: Albrecht Altdorfer’s Etchings of the Regensburg Synagogue as Material Performances of the Past and Future / _rAshley D. West -- _tThe Case of the Missing Gold Disc: A Crucifixion by Albrecht Dürer / _rMiya Tokumitsu -- _tHitler’s Dürer? The Nuremberg Painter between Self-Portrayal and National Appropriation / _rThomas Schauerte -- _tPerforming Dürer: Staging the Artist in the Nineteenth Century / _rJeffrey Chipps Smith -- _tThe Burin, the Blade, and the Paper’s Edge: Early Sixteenth-Century Engraved Scabbard Designs by Monogrammist ac / _rBrooks Rich -- _t“Return to Your True Self!” Practicing Spiritual Therapy with the Spiegel der Vernunft in Munich / _rMitchell B. Merback -- _tThe Eucharistic Controversy and Daniel Hopfer’s Tabernacle for the Holy Sacrament / _rFreyda Spira -- _tRecalibrating Witchcraft through Recycling and Collage: The Case of a Late Seventeenth-Century Anonymous Print / _rCharles Zika -- _tThe Timeless Space of Maerten van Heemskerck’s Panoramas: Viewing Ruth and Boaz (1550) / _rArthur DiFuria -- _tHendrick Goltzius’s Method of Exegetical Allegory in his Scriptural Prints of the 1570s / _rWalter S. Melion -- _tNarrative, Ornament, and Politics in Maerten van Heemskerck’s Story of Esther (1564) / _rShelley Perlove -- _tDisgust and Desire: Responses to Rembrandt’s Nudes / _rStephanie S. Dickey.
506			_aAvailable to subscribing member institutions only.
520			_aThe Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
650		0	_aArt, Northern European _y15th century _xThemes, motives.
650		0	_aArt, Northern European _y16th century _xThemes, motives.
650		0	_aArt, Northern European _y17th century _xThemes, motives.
700	1		_aSilver, Larry, _d1947-
700	1		_aCashion, Debra Taylor.
700	1		_aLuttikhuizen, Henry, _d1964-
700	1		_aWest, Ashley D.
776	0	8	_iOnline version: _tPrimacy of the image in northern European art, 1400-1700 _dLeiden ; Boston : Brill, 2017 _z9789004354128 _w(DLC) 2017029971
830		0	_aBrill's Studies in Intellectual History _v271/22.
830		0	_aBrill's Studies in Intellectual History Online, Supplement 2018, ISBN: 9789004353381.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004354128
999			_c49338 _d49338