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_a9789042032361 _q(electronic book) |
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_z9789042032354 _q(print) |
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_a10.1163/9789042032361 _2DOI |
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_a(OCoLC)697793514 _z(OCoLC)693761618 _z(OCoLC)961502165 _z(OCoLC)962570403 |
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_aPN81 _b.T49 2008eb |
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_a809 _222 |
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_aTextual scholarship and the canon / _cedited by Hans Walter Gabler, Peter Robinson and Paulius V. Subac̆ius. |
| 264 | 1 |
_aAmsterdam ; _aNew York, NY : _bRodopi. |
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| 264 | 4 | _c©2008. | |
| 300 | _a1 online resource (228 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aVariants ; _v7 |
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| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tIntroduction / _rPeter Robinson -- _tTo Burn or To Republish?: The Fate of the 18th–19th century Lithuanian Bestseller / _rMikas Vaicekauskas -- _tCanonisation as Impediment to Textual Scholarship: Lithuanian Postcolonial Experiences / _rPaulius V. Subačius -- _tCanon and Classicity: Editing as Canonising in Swedish Romanticism / _rPaula Henrikson -- _tOn the Margin of the Canon: Editions, the “Whole” Text and the “Whole” Codex / _rGabriel Viehhauser -- _tMedieval Canonicity and Rewriting: A Case Study of the Sigune-figure in Wolfram’s Parzival / _rMichael Stolz -- _tThe Beißnerian Mode, the Zellerian Mode, and the Canonical Way of Modern Editing: Upheavals and Deviations in German Editorial Methodology — and its Historiography / _rRüdiger Nutt-Kofoth -- _tThe Canon Beyond Academia: Alternative Sources of Canonicity in Twentieth-Century Literature in English / _rJesús Varela Zapata -- _tDrawbacks in the Process of Editing a Non-Canonical Chaucerian Text: The Case of Yonge Gamelyne of the Canterbury Tales / _rNila Vázquez -- _tMissing Link: The V. Galleys at the Morgan Library and the Harry Ransom Center / _rLuc Herman , John M. Krafft and Sharon B. Krafft -- _tFrom Argument to Design: Editions in Books and Beyond the Book / _rHans Walter Gabler -- _tOssian: The Book History of an Anti-book / _rChristian Benne -- _tPeter Beal, compiler A Dictionary of English Manuscript Terminology 1450-2000. / _rGillian Wright -- _tPaul Eggert, Securing the Past: Conservation in Art, Architecture and Literature. / _rAnnika Bautz -- _tOlga Anokhina and Sabine Pétillon, editions. Critique génétique: Concepts, methods, outils. / _rChristine Collière-Whiteside -- _tSiân Echard, Printing the Middle Ages. Philadelphia: University of Pennsylvania Press, 2008. / _rOliver Pickering -- _tThe 1671 Poems: “Paradise Regain’d” and “Samson Agonistes.” Ed. Laura Lunger Knoppers. / _rStephen B. Dobranski -- _tJanet Todd and Linda Bree (eds). The Cambridge Edition of the Works of Jane Austen: Later Manuscripts. / _rKatie Halsey -- _tDirk Van Hulle. Manuscript Genetics: Joyce’s Know-How, Beckett’s Nohow. / _rChris Ackerley -- _tMusisque Deoque: Un Archivio Digitale di Poesia Latina/A Digital Archive of Latin Poetry. / _rWerner Gelderblom -- _tContributors. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aTextual scholarship has always been closely linked to questions of canonicity, both in terms of what texts are edited and how they are edited. As attitudes towards the canon have altered over the last decade, textual scholarship too has changed, both in practice and theory. The essays in this collection examine the connections between textual scholarship and the canon, and the implications for textual scholarship of changing attitudes to the canon within the wider academic environment. As is now characteristic of Variants , essays range widely over time and space in their focus, reflecting the breadth of the Society’s membership and interests. Two essays focus on different aspects of the distinctive Lithuanian experience of the canon. Other essays trace the influence of the concept in Sweden, the problematic nature of the canon when dealing with unstable medieval texts, the debate within the German scholarly community about modes of editing, developments in the canon outside the academic world in the last decades, and an account of the problems of editing a very non-canonical text. Three essays not linked to the theme of the volume close the collection: an account of the galley proofs of Pynchon’s V. , a survey of developments in book design for scholarly editions through print and beyond, and an account of the reception of Ossian , which fuses book history, textual scholarship and intellectual history. | ||
| 648 | 7 |
_a1900-1999 _2fast |
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| 650 | 0 |
_aCanon (Literature) _xCriticism and interpretation. |
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| 650 | 0 |
_aEnglish literature _y20th century _xHistory and criticism. |
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| 650 | 7 |
_aCanon (Literature) _2fast |
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| 650 | 7 |
_aEnglish literature. _2fast |
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| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 700 | 1 |
_aGabler, Hans Walter, _d1938- |
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| 700 | 1 | _aRobinson, Peter. | |
| 700 | 1 | _aSubačius, Paulius. | |
| 776 | 0 | 8 |
_iPrint version: _tTextual scholarship and the canon. _dAmsterdam ; _aNew York, NY : _bRodopi, ©2008 _z9789042032354 |
| 830 | 0 |
_aVariants _v7. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2008, ISBN: 9789004357952. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789042032361 |
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_c49166 _d49166 |
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