| 000 | 04909nam a22005058i 4500 | ||
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| 001 | BRILL9789004658981 | ||
| 003 | nllekb | ||
| 005 | 20260610105822.0 | ||
| 007 | cr un uuuua | ||
| 008 | 240309s1996 gw sb 001 0 eng d | ||
| 020 |
_a9789004658981 _q(electronic book) |
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| 020 |
_z9789051839685 _q(print) |
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| 024 | 7 |
_a10.1163/9789004658981 _2DOI |
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| 035 | _a(OCoLC)1416028387 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 041 | _aeng | ||
| 050 | 4 | _aPS369 | |
| 072 | 7 |
_aJFC _2bicssc |
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| 072 | 7 |
_aSOC _x022000 _2bisacsh |
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| 072 | 7 |
_aSOC _x026000 _2bisacsh |
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| 082 | 0 | 4 |
_a813.5409145 _223 |
| 100 | 1 |
_aAlsen, Eberhard, _eauthor. |
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| 245 | 1 | 0 |
_aRomantic Postmodernism in American Fiction / _cEberhard Alsen. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c1996. |
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| 264 | 4 | _c©1996 | |
| 300 |
_a1 online resource (308 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 | _aLiterature and Cultural Studies - Book Archive pre-2000 | |
| 490 | 1 |
_aPostmodern Studies ; _v19 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 |
_tPreliminary Material / _rEberhard Alsen -- Preface / _rEberhard Alsen -- Acknowledgements / _rEberhard Alsen -- Introduction / _rEberhard Alsen -- Chapter 1 Saul Bellow's Henderson the Rain King : A Romantic Manifesto / _rEberhard Alsen -- Chapter 2 J.D. Salinger's Franny and Zooey and the Teachings of the Bhagavad Gita / _rEberhard Alsen -- Chapter 3 The Manichean Pessimism of Norman Mailer's An American Dream / _rEberhard Alsen -- Chapter 4 The Figure of the Devil in Flannery O'Connor's The Violent Bear it Away & "The Lame Shall Enter First" / _rEberhard Alsen -- Chapter 5 Breakfast of Champions : Kurt Vonnegut on the Nature of Man and God / _rEberhard Alsen -- Chapter 6 The Fantastic in Philip Roth's The Breast and Donald Barthelme's The Dead Father / _rEberhard Alsen -- Chapter 7 John Barth's "Night Sea Journey" and Sabbatical : From Exhaustion to Replenishment / _rEberhard Alsen -- Chapter 8 "Transcendent Doings" in Thomas Pynchon's Gravity's Rainbow / _rEberhard Alsen -- Chapter 9 Toni Morrison's Song of Solomon and the Secret of Spiritual Flight / _rEberhard Alsen -- Chapter 10 Alice Walker's The Color Purple as a Transcendentalist Romance / _rEberhard Alsen -- Chapter 11 Sin and the Supernatural in William Kennedy's Ironweed / _rEberhard Alsen -- Chapter 12 Paul Auster's Ghosts and Mr. Vertigo : Homage to the Romantics / _rEberhard Alsen -- Conclusion / _rEberhard Alsen -- Cumulative List of Works Cited / _rEberhard Alsen -- Index / _rEberhard Alsen. |
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| 520 | _aIntended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction. The book challenges the opinion expressed in the Columbia History of the American Novel (1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community. It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic. To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence. | ||
| 546 | _aEnglish | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aAmerican fiction _y20th century _xHistory and criticism. |
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| 650 | 0 |
_aPostmodernism (Literature) _zUnited States. |
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| 650 | 0 |
_aRomanticism _zUnited States. |
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| 776 | 0 | 8 |
_iPrint version: _tRomantic Postmodernism in American Fiction. _dLeiden ; Boston : Brill, 1996. _z9789051839685 _w(OCoLC)36444219 |
| 830 | 0 | _aLiterature and Cultural Studies - Book Archive pre-2000. | |
| 830 | 0 |
_aPostmodern Studies ; _v19. |
|
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004658981 |
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| 999 |
_c48961 _d48961 |
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