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| 001 | BRILL9789042027800 | ||
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| 007 | cr un uuuua | ||
| 008 | 100421s2010 ne sb 001 0 eng d | ||
| 010 | _a 2010278590 | ||
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_a9789042027800 _q(electronic book) |
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_z9789042027794 _q(print) |
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| 024 | 7 |
_a10.1163/9789042027800 _2DOI |
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| 035 | _a(OCoLC)497573707 | ||
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_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aBC177 _b.S74 2010 |
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_aGT _2bicssc |
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_aPOL000000 _2bisacsh |
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| 082 | 0 | 4 | _a160 |
| 100 | 0 |
_aStefán Snævarr, _d1953- |
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| 245 | 1 | 0 |
_aMetaphors, narratives, emotions : _btheir interplay and impact / _cStefán Snævarr. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi. |
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| 264 | 4 | _c©2010. | |
| 300 | _a1 online resource (viii, 398 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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| 490 | 1 |
_aConsciousness, literature & the arts, _x1573-2193 ; _v24 |
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| 504 | _aIncludes bibliographical references (p. 383-394) and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- A Book Of Mosaic -- Introducing metaphors (and masks) -- The magic of metaphoric masques: Ricæur on Metaphors -- Understanding Metaphors: The Alethetic Theory -- Metaphorism, Iconodulism, and Ana-logic: Transcendental Metaphors and Analogical Reasoning -- Generative Metaphorics: The Cognitive Semantics of the Lakoff School -- The Heresy of Paraphrase Revisited: Can Poems be Paraphrased? -- Notes on Ana-logic and Summary of Section I -- The Story and The Narrative: Introducing Some Notions of Narratology -- Historical Narratives: Their Nature and the Nature of Narrative Explanations -- Fictional and Non-Fictional Narratives: On White’s Tropology, the Concept of Literature and Related Issues -- Narratives as ‘Factions’: Ricæur on Facts, Fictions and Stories -- The Story and The Metaphor: The N-M: On the Relationship between Narratives and Metaphors -- Don Quixote and Narrativism: The Scope of Stories and Narratives in Human Existence -- Notes on Narra-Logic and Summary Of Section II -- Cognitivism, Naturalism, Subjectivism: Theories about Emotions -- Towards Hermeneutic Construalism: Roberts, Taylor, Construalism, Hermeneutics and Emotions -- Emotions and Narrations -- Emotions and Meaning -- The Maieutics of Ana-Logic: On poetic metaphors, similes, emotions, and tacit knowledge -- Notes on Enal and Emo-Logic and Summary of Section III -- Conclusion of The Book, Or the (Un) Holy Trinity -- Bibliography -- Index of names. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThis book argues that there is a complex logical and epistemological interplay between the concepts of metaphor, narrative, and emotions. They share a number of important similarities and connections. In the first place, all three are constituted by aspect-seeing, the seeing-as or perception of Gestalts. Secondly, all three are meaning-endowing devices, helping us to furnish our world with meaning. Thirdly, the threesome constitutes a trinity. Emotions have both a narrative and metaphoric structure, and we can analyse the concepts of metaphors and narratives partly in each other’s terms. Further, the concept of narratives can partly be analysed in the terms of emotions. And if emotions have both a narrative structure and a metaphoric one, then the concept of emotions must to some extent be analysable through the concepts of narratives and metaphors. But there is more. Metaphors (especially poetic ones) are important tools for the understanding of the tacit sides of emotions, perhaps because of the metaphoric structure of emotions. The notion that narrations can be tools for understanding emotions follows from two facts: narrations are devices for explanation and emotions have a narrative structure. Fourthly, the threesome has an impact on our rationality. It has become commonplace to say that emotions have a cognitive content, that narratives have an explanatory function, and that metaphors can perform cognitive functions. This book is the first attempt to articulate the implications that these new ways of seeing the three concepts entail for our concept of reason. The cognitive roles of the threesome suggest a richer notion of rationality than has traditionally been held, a rationality enlivened with metaphoric, narrative, and emotive qualities. | ||
| 650 | 0 | _aReason. | |
| 650 | 0 | _aMetaphor. | |
| 650 | 0 | _aNarration (Rhetoric) | |
| 650 | 0 | _aEmotions. | |
| 650 | 7 |
_aEmotions. _2fast |
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| 650 | 7 |
_aMetaphor. _2fast |
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| 650 | 7 |
_aNarration (Rhetoric) _2fast |
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| 650 | 7 |
_aReason. _2fast |
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| 776 | 0 | 8 |
_iPrint version: _tMetaphors, Narratives, Emotions: Their Interplay and Impact _dLeiden, Boston : Brill | Rodopi, 2010, _z9789042027794 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v24. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2010, ISBN: 9789004357921. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789042027800 |
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_c48843 _d48843 |
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