000			03147nam a2200481 i 4500
001			BRILL9789004324558
003			nllekb
005			20260610105818.0
007			cr un uuuua
008			160613s2016 ne af sb 001 0 eng d
010			_a 2010045618
020			_a9789004324558 _q(electronic book)
020			_z9789004321847 _q(print)
024	7		_a10.1163/9789004324558 _2DOI
035			_a(OCoLC)951724345
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aNB1296.3 _b.P78 2016
072		7	_aACG _2bicssc
072		7	_aART015060 _2bisacsh
082	0	4	_a938
100	1		_aPrusac, Marina.
245	1	0	_aFrom face to face : _brecarving of Roman portraits and the Late-Antique portrait arts / _cby Marina Prusac Ph.D, University of Oslo.
250			_a2nd, rev. ed.
264		1	_aLeiden ; _aBoston : _bBrill, _c2016.
300			_a1 online resource (xxii, 202 pages, 155 pages of plates) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aMonumenta Graeca et Romana ; _vv. 18
504			_aIncludes bibliographical references (p. 159-176) and indexes.
505	0		_aIntroduction : the history of sculpture reuse and related problems -- The reuse of sculpture and recarving of portraits -- Statistical analyses -- The 1st-2nd centuries CE and the damnatio memoriae portraits -- The Third century CE -- Late antiquity and the emergence of new visual expressions -- Recarving methods -- Classifications -- Social aspects -- Conclusions : oblivion and reinvention -- Summary -- Map with portrait provinces -- The Roman imperial succession until Justinian I -- Calalogue of recarved portraits -- Bibliography.
506			_aAvailable to subscribing member institutions only.
520	8		_aThis book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
650		0	_aPortrait sculpture, Roman.
650		0	_aAltered sculptures.
650		7	_aAltered sculptures. _2fast
650		7	_aPortrait sculpture, Roman. _2fast
776	0	8	_iPrint version: _tFrom Face to Face: Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, revised edition _dLeiden, Boston : BRILL, 2016, _z9789004321847
830		0	_aMonumenta Graeca et Romana _v18.
830		0	_aClassical Studies E-Books Online, Collection 2014, ISBN: 9789004262430.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004324558
999			_c48712 _d48712