| 000 | 03523nam a2200505 i 4500 | ||
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| 001 | BRILL9789004252196 | ||
| 003 | nllekb | ||
| 005 | 20260610105818.0 | ||
| 007 | cr un uuuua | ||
| 008 | 130628s2013 mau sb 001 0 eng d | ||
| 020 |
_a9789004252196 _q(electronic book) |
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| 020 |
_z9789004233249 _q(print) |
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| 024 | 7 |
_a10.1163/9789004252196 _2DOI |
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| 035 | _a(OCoLC)851191809 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aN8012.C57 _bL33 2013 |
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| 072 | 7 |
_aART _x035000 _2bisacsh |
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| 072 | 7 |
_aHRC _2bicssc |
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| 072 | 7 |
_aREL _x070000 _2bisacsh |
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| 082 | 0 | 4 |
_a704.9/482 _223 |
| 100 | 1 | _aLaderman, Shulamith. | |
| 245 | 1 | 0 |
_aImages of cosmology in Jewish and Byzantine art : _bGod's blueprint of creation / _cby Shulamit Laderman. |
| 264 | 1 |
_aBoston : _bBrill, _c2013. |
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| 300 | _a1 online resource (xxi, 318 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aJewish and Christian perspectives series ; _vv. 25 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Introduction -- 1. Jewish and Christian Reciprocal Influences -- 2. The Blueprint of Creation in the Bible and Its Allegorical Interpretations -- 3. Creation in Christian Works -- 4. Creation as Interpreted in Jewish Art -- 5. Visualizing Creation in a Fourteenth-Century Jewish Manuscript -- 6. The Tabernacle and the Ark of the Covenant -- 7. The Temple: History and Ideology -- 8. The Synagogue as a Minor Temple -- 9. Schematic Models: Forms of Visual Interpretation -- 10. Perspective Imaging of the Tabernacle -- 11. The Art of Memory: The Sanctuary, Its Sacrifices, and Its Cosmic Import -- 12. Christian Supersession of Jewish Ideas -- Epilogue -- Addendum -- Glossary -- Bibliography -- Index -- Illustrations. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aDoes the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aCosmology in art. | |
| 650 | 0 |
_aJewish art and symbolism _xThemes, motives. |
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| 650 | 0 |
_aArt, Byzantine _xThemes, motives. |
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| 650 | 0 |
_aJudaism _xRelations _xChristianity. |
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| 650 | 0 |
_aChristianity and other religions _xJudaism. |
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| 650 | 7 |
_aART / Subjects & Themes / Religious _2bisacsh |
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| 776 | 0 | 8 |
_iPrint version: _aLaderman, Shulamith. _tImages of cosmology in Jewish and Byzantine art. _dBoston : Brill, 2013 _z9789004233249 _w(DLC) 2013011755 _w(OCoLC)836261555 |
| 830 | 0 |
_aJewish and Christian Perspectives Series _v25. |
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| 830 | 0 | _aBiblical Studies, Ancient Near East and Early Christianity E-Books Online, Collection 2013, ISBN: 9789004248649. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004252196 |
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| 999 |
_c48693 _d48693 |
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