000 03748cam a2200541Ii 4500
001 BRILL9789401210836
003 nllekb
005 20260610105815.0
007 cr un uuuua
008 140510s2014 ne s 000 0 eng d
020 _a9789401210836
_q(electronic book)
020 _z9789042038387
_q(print)
024 7 _a10.1163/9789401210836
_2DOI
035 _a(OCoLC)879551393
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aB808.9
_b.O98 2014
072 7 _aPHI
_x009000
_2bisacsh
072 7 _aPHI
_x016000
_2bisacsh
072 7 _aAM
_2bicssc
072 7 _aARC000000
_2bisacsh
082 0 4 _a190
_222
100 1 _aÖztürk, Maya Nanitchkova.
245 1 0 _aCorporeality :
_bemergent consciousness within its spatial dimensions /
_cMaya Nanitchkova Öztürk.
264 1 _aAmsterdam :
_bEditions Rodopi,
_c2014.
300 _a1 online resource (236 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aConsciousness, literature and the arts ;
_v39
500 _aThe Theatre Mode of Spatial Organization: An Analytical Framework.
505 0 0 _aPreliminary Material -- Acknowledgements -- Introduction -- The ‘lived’: from ‘body’ to the body with space -- From ‘lived space’ and experience to the materiality of experience -- Contextualizing corporeality: theatre space between mediation and generation of experience -- From space to sense—to sensibility -- Discussion -- Conclusion -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aCorporeality: Emergent consciousness within its spatial dimensions develops our understanding of what we can experience through our bodies in relation to the space around us. Rather than considering architecture as being about manifestation and mediation of fixed meanings, the book focuses instead on architectural space as a field that envelopes us incessantly, intimately, and affectively. We are in immediate contact with that space, and the way we relate to it determines how we are able to grasp the realities of the social and material worlds around us. This enquiry considers architectural space and its impact on and relation to us from a range of disciplines and perspectives, leading from space to sense and to sensibility. The theatre becomes a central point of reference on this journey, allowing us to understand how space “works” by linking concrete spatial conditions to corresponding “forms of experience”. It allows showing how the ways we feel, think, and act emerge from within the rich texture of the pre-conscious and non-contemplative. That texture is induced and nourished by our bodily encounters with space. Offering a view of how immediate experience is generated in the body, this book enhances empirical research into the links between space, body, experience and consciousness.
600 1 0 _aBroad, C. D.
_q(Charlie Dunbar),
_d1887-1971
_xCriticism and interpretation.
600 1 7 _aBroad, C. D.
_q(Charlie Dunbar),
_d1887-1971.
_2fast
650 0 _aConsciousness.
650 0 _aMemory (Philosophy)
650 0 _aPerception (Philosophy)
650 7 _aConsciousness.
_2fast
650 7 _aMemory (Philosophy)
_2fast
650 7 _aPerception (Philosophy)
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_aÖztürk, Maya Nanitchkova.
_tCorporeality.
_dAmsterdam : Editions Rodopi, 2014
_z9789042038387
830 0 _aConsciousness, Literature and the Arts
_v39.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401210836
999 _c48556
_d48556