| 000 | 05213nam a2200577 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004291690 | ||
| 003 | nllekb | ||
| 005 | 20260610105813.0 | ||
| 007 | cr un uuuua | ||
| 008 | 150606s2015 ne a sb 001 0 eng d | ||
| 020 |
_a9789004291690 _q(electronic book) |
||
| 020 |
_z9789004274525 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004291690 _2DOI |
|
| 035 |
_a(OCoLC)910815981 _z(OCoLC)910845580 |
||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 041 | 1 |
_aeng _hnor _hdan |
|
| 043 | _aev----- | ||
| 050 | 4 |
_aBX4817 _b.T66 2015eb |
|
| 072 | 7 |
_aREL _x070000 _2bisacsh |
|
| 072 | 7 |
_aHRAB _2bicssc |
|
| 072 | 7 |
_aPHI022000 _2bisacsh |
|
| 082 | 0 | 4 |
_a246.01 _223 |
| 245 | 0 | 0 |
_aTranscendence and sensoriness : _bperceptions, revelation, and the Arts / _cedited by Svein Aage Christoffersen, Geir Hellemo, Leonora Onarheim, Nils Holger Petersen, Margunn Sandal ; translated from Norwegian and Danish by Frances E. Hopenwasser, Leif Stubbe Teglbjærg. |
| 264 | 1 |
_aLeiden : _bBrill, _c2015. |
|
| 300 |
_a1 online resource (583 pages) : _bcolor illustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 |
_aStudies in religion and the arts ; _vv. 10 |
|
| 500 | _aDescription based upon print version of record. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rSvein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal -- _tIntroduction: Art and Aesthetic Experience as Signals of Transcendence? / _rSvein Aage Christoffersen -- _tTheology and Poetic Openness / _rSvein Aage Christoffersen -- _tThe Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology / _rDag T. Andersson -- _tSensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity / _rDorthe Jørgensen -- _tThe Phenomenon of Revelation: Jean-Luc Marion’s Outline for a Phenomenology of Religion / _rMikkel B. Tin -- _tThe ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence / _rKristin B. Aavitsland -- _tOttoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century / _rGeir Hellemo -- _t“I Can See Byzantine Art and Understand It”: The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby’s Art / _rHans Jørgen Frederiksen -- _tGod among Thorns: On Anselm Kiefer’s Pietà (2007) / _rLeonora Onarheim -- _tThe Finished Fragment: On Arnold Schoenberg’s Moses und Aron / _rArnfinn Bø-Rygg -- _tTime and Space in W.A. Mozart’s Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work / _rNils Holger Petersen -- _tThe Broken Hallelujah: The Super Hit as Sacred Space / _rKristin Rygg -- _tThe Fullness of Space / _rEttore Rocca -- _tSpace, Wind and Light: On Transcendence and Early Church Architecture / _rJens Fleischer -- _tOn Earth as It is in Heaven: St. Hallvard’s Church and Abbey / _rMargunn Sandal -- _tTranscendence and the Use of Images / _rSvein Aage Christoffersen -- _tFaith’s Creative Mirror Reflection of Heavens’s Bliss / _rTheodor Jørgensen -- _tThe Ambiguity of the Demonic in Paul Tillich’s View of Art / _rEspen Dahl -- _tWhen We Dead Awaken: Art, Life and Death / _rTrond Skard Dokka -- _tFinal Considerations and Perspectives / _rSvein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal -- _tIndex / _rSvein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aProtestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology. | ||
| 650 | 0 |
_aAesthetics _xReligious aspects _xProtestant churches. |
|
| 650 | 0 |
_aChristianity and the arts _zScandinavia. |
|
| 650 | 0 |
_aProtestant churches _xDoctrines. |
|
| 655 | 0 | _aElectronic books. | |
| 700 | 1 |
_aChristoffersen, Svein Aage, _d1947- |
|
| 700 | 1 |
_aHellemo, Geir, _d1950- |
|
| 700 | 1 | _aOnarheim, Leonora. | |
| 700 | 1 | _aPetersen, Nils Holger. | |
| 700 | 1 | _aSandal, Margunn. | |
| 700 | 1 | _aHopenwasser, Frances E. | |
| 700 | 1 | _aTeglbjærg, Leif Stubbe. | |
| 776 | 0 | 8 |
_iPrint version: _aChristoffersen, Svein Aage _tTranscendence and Sensoriness : Perceptions, Revelation, and the Arts _dLeiden : BRILL,c2015 _z9789004274525 |
| 830 | 0 |
_aStudies in Religion and the Arts _v10. |
|
| 830 | 0 | _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2015, ISBN: 9789004287471. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004291690 |
|
| 999 |
_c48392 _d48392 |
||