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| 001 | BRILL9789042032521 | ||
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| 005 | 20260610105813.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110722s2011 ne a sb 000 0 eng d | ||
| 010 | _a 2011453608 | ||
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_a9789042032521 _q(electronic book) |
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_z9789042032514 _q(print) |
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| 024 | 7 |
_a10.1163/9789042032521 _2DOI |
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| 035 | _a(OCoLC)701011997 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPR9340.5 _b.E95 2011 |
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_aDS _2bicssc |
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_aLIT000000 _2bisacsh |
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_a820.996 _222 |
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_aExit : _bendings and new beginnings in literature and life / _cedited by Stefan Helgesson. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi, _c2011. |
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| 300 |
_a1 online resource (xiii, 315 pages) : _billustrations (chiefly color) |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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| 490 | 1 |
_aCross/cultures ; _v130 |
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| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tSome Thoughts on the Idea of Exit: in Recent African Narratives of Childhood / _rRichard K. Priebe -- _tGeneration and Complicity: in Zoë Wicomb’s Playing in the Light / _rMaria Olaussen -- _t“Let Me Tell You About Bekolo’s Latest Film, Les Saignantes, But First . . . ” / _rKenneth W. Harrow -- _tTradition and Creativity: in Zakes Mda’s Cion / _rDavid Bell -- _tPaton’s Discovery, Soyinka’s Invention / _rBernth Lindfors -- _tWriting Out Imperialism?: A Note on Nationalism and Political Identity in the African-Owned Newspapers of Colonial Ghana / _rStephanie Newell -- _tAfter Exit: Exile, Creativity, and the Risk of Translation / _rStefan Helgesson -- _tAfrican Presences and Representations: in the Principality/Markgrafschaft of Bayreuth / _rEckhard Breitinger -- _tTaking Flight: and the Libertarian Crow-Scarer / _rGerald Porter -- _t“In my end is my beginning”: The Death of Virginia Woolf / _rCatherine Sandbach–Dahlström -- _tFollowing the Race Track?: Swedish, Chinese, Scottish, Irish, Canadian in Diamond Grill by Fred Wah / _rElisabeth Mårald -- _tLiterature and Scripture: An Impossible Filiation / _rJ. Hillis Miller -- _t“Gazing into the future”: Beginnings, Endings, and Midpoints in Paul Muldoon’s Why Brownlee Left / _rLars–Håkan Svensson -- _tExiting the Environmental Trap: Knowledge Regimes and the Third Phase of Environmental Policy / _rSverker Sörlin -- _tThe End of the “Earth” / _rWilly Bach -- _tMyself as a Puff of Dust: A Ghost Story / _rJane Bryce -- _tTIXE YLNO: or Redefining Identities / _rJanice Kulyk Keefer -- _tContributors. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIf anything is certain in human existence, it is the exit. Before the universal yet radically singular event of death, however, history leaves its mark on us by determining which exits are possible, necessary or desirable. This collection of essays, which celebrates the achievement of the Swedish Africanist and postcolonial scholar Raoul Granqvist, deal with the broad theme of exit – in the form of exile, displacement, suicide, endings and, indeed, beginnings. After all, “In my end is my beginning” (T.S. Eliot). Childhood as exit rite in contemporary African literature (Camara Laye’s L’Enfant Noir and Ishmael Beah’s Long Way Gone ); the Cameroonian director Jean Pierre Bekolo’s controversial film Les Saignantes ; an early play by Wole Soyinka; Ghana during the First World War; Zakes Mda’s Cion ; proto-nationalist writing on the Gold Coast; passing in Zoë Wicomb’s Playing in the Light ; the exile of South African and Caribbean writers; translation theory in the global South; public representations of Africans in north-east Bavaria; oral poetry in rural England; Fred Wah’s Swedish-Chinese background in twentieth-century Canada; Toni Morrison’s Beloved and infanticide; the open endings of the poetry of Paul Muldoon; the suicide of Virginia Woolf; the viability of global environmental policies – these are some of the topics that this book, in defiance of neat disciplinary boundaries, addresses. The closing section, “Voicing the Exit,” transcends the academic format with its evocative literary representations of the experience of exit (in Tanzania, Uganda, Ukrainian Canada and elsewhere). | ||
| 650 | 0 |
_aAfrican literature (English) _xHistory and criticism. |
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| 650 | 0 |
_aExiles' writings, African (English) _xHistory and criticism. |
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| 650 | 0 | _aTransnationalism in literature. | |
| 650 | 7 |
_aAfrican literature (English) _2fast |
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| 650 | 7 |
_aExiles' writings, African (English) _2fast |
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| 650 | 7 |
_aTransnationalism in literature. _2fast |
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| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 700 | 1 | _aHelgesson, Stefan. | |
| 776 | 0 | 8 |
_iPrint version: _tExit: Endings and New Beginnings in Literature and Life _dLeiden, Boston : Brill | Rodopi, 2011, _z9789042032514 |
| 830 | 0 |
_aCross/Cultures _v130. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789042032521 |
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_c48388 _d48388 |
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