000			03137nam a2200493 i 4500
001			BRILL9789047421085
003			nllekb
005			20260610105812.0
007			cr un uuuua
008			070614s2007 ne a sb 001 0 eng
010			_a 2007023894
016	7		_aB0710083 _2bccb
020			_a9789047421085 _q(electronic book)
020			_z9789004158702 _q(print)
024	7		_a10.1163/ej.9789004158702.i-144 _2DOI
035			_a(OCoLC)144768157
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aML3800 _b.B96 2007
082	0	4	_a781.2/2 _222
100	1		_aBurrows, David L.
245	1	0	_aTime and the warm body : _ba musical perspective on the construction of time / _cby David Burrows.
264		1	_aBoston : _bBrill, _c2007.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
440		0	_aSupplements to The study of time, _x1873-7463 ; _vv. 2
490	0		_aBrill eBook titles 2007
504			_aIncludes bibliographical references (p. [133]-139) and index.
505	0	0	_tPreliminary material / _rBurrows -- _tI. The embodied now / _rBurrows -- _tII. From now to time / _rBurrows -- _tIII. Music and the warm body / _rBurrows -- _tConclusion / _rBurrows -- _tNotes / _rBurrows -- _tBibliography / _rBurrows -- _tIndex / _rBurrows.
506	1		_aAvailable to subscribing member institutions only.
520			_aThis study deals with time and with music, and the link between the two is the suggestion that music is a modeling of the way we construct time. Time—the now, duration, succession and order of succession; the past, the future—is seen as a resource for managing systemic disequilibrium and as the evolutionary elaboration of the now. As organic dynamical systems humans maintain themselves by means of self-regulatory actions, nows, and these nows are proposed as feeding off a pre-temporal, interindividually accessed energy in nature, an ongoing cosmic proto-present. Speech is a way out of sensory immediacy and a way into a complex shared world where coordination and planning take place away from the distractions of the present as given by the senses. Music is presented as one of a group of behaviors comprising the arts and games that evolved in parallel with language to compensate for its abstractness. Language tends to the complexly abstract and music favors the complex, sensorially concrete: like speech, music operates on a synthetic plane, but provides synthetic occasions for sensory immediacy at a level of complexity to match that of language.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aMusical perception.
650		0	_aTime in music.
650		0	_aTime perception.
650		0	_aTime _xPhilosophy.
776	0		_tTime and the warm body _z9789004158702 (alk. paper) _z9004158707 (alk. paper)
830		0	_aSupplements to the Study of Time _v2.
830		0	_aSocial Sciences E-Books Online, Collection 2007, ISBN: 9789004223127.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004158702.i-144
994			_aC0 _bNEIDC
999			_c48360 _d48360