000			03318nam a2200505 i 4500
001			BRILL9789004293144
003			nllekb
005			20260610105801.0
007			cr un uuuua
008			150210s2015 mau sb 001 0 eng d
010			_a 2015005778
020			_a9789004293144 _q(electronic book)
020			_z9789004264113 _q(print)
024	7		_a10.1163/9789004293144 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-fr---
050		4	_aNB1912.J47 _bS228 2015
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a730.944/0902 _223
100	1		_aSadler, Donna L.
245	1	0	_aStone, flesh, spirit : _bthe entombment of Christ in late medieval Burgundy and Champagne / _cby Donna L. Sadler.
264		1	_aBoston : _bBrill, _c2015.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aArt and material culture in Medieval and Renaissance Europe, _x2212-4187 ; _vv. 2
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Introduction -- 1 The Origins of the Entombment of Christ -- 2 The Entombment of Christ: Echoes of the Performative Piety of the Sculpture at the Chartreuse de Champmol -- 3 The Entombment of Christ: The Absent Presence of the Resurrected Christ and the Holy Sepulcher -- 4 Hocus Pocus: The Entombment of Christ and Medieval ­Performance -- 5 Conclusion: The Entombments in the Context of Late Medieval ­Sculpture -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aGrief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler examines the sculptural Entombments from Burgundy and Champagne through a variety of lenses, including performance theory, embodied perception, and the invocation of the absent presence of the Holy Sepulcher. The author demonstrates how the action of Joseph of Arimathea and Nicodemus entombing Christ in the presence of the Marys and John operates in a commemorative and collective fashion: the worshiper enters the realm of the holy and becomes a participant in the biblical event.
600	0	0	_aJesus Christ _xBurial _vArt.
650		0	_aStone carving _zFrance _zBurgundy.
650		0	_aStone carving _zFrance _zChampagne-Ardenne.
650		0	_aArt and society _zFrance _zBurgundy _xHistory _yTo 1500.
650		0	_aArt and society _zFrance _zBurgundy _xHistory _y16th century.
650		0	_aArt and society _zFrance _zChampagne-Ardenne _xHistory _yTo 1500.
650		0	_aArt and society _zFrance _zChampagne-Ardenne _xHistory _y16th century.
776	0	8	_iPrint version: _tStone, Flesh, Spirit: The Entombment of Christ in Late Medieval Burgundy and Champagne _dLeiden, Boston : BRILL, 2015, _z9789004264113
830		0	_aArt and Material Culture in Medieval and Renaissance Europe _v2.
830		0	_aEuropean History and Culture E-Books Online, Collection 2014-I, ISBN: 9789004262447.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004293144
999			_c47750 _d47750