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007 cr un uuuua
008 090206s2008 ne a sbq 000 0 eng d
020 _a9789401206273
_q(electronic book)
020 _z9789042024571
_q(print)
024 7 _a10.1163/9789401206273
_2DOI
035 _a(OCoLC)302001509
_z(OCoLC)649903304
_z(OCoLC)714567280
_z(OCoLC)764536134
_z(OCoLC)843178836
_z(OCoLC)961537942
_z(OCoLC)962606230
_z(OCoLC)966254164
_z(OCoLC)974572685
_z(OCoLC)974616127
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPN56.E45
_bE43 2008eb
072 7 _aTRV
_x026090
_2bisacsh
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aDSB
_2bicssc
072 7 _aLIT000000
_2bisacsh
082 0 4 _a809/.93357
_222
100 1 _aEidt, Laura M. Sager.
245 1 0 _aWriting and filming the painting :
_bekphrasis in liturature and film /
_cLaura M. Sager Eidt.
264 1 _aAmsterdam ;
_aNew York :
_bRodopi.
264 4 _c©2008.
300 _a1 online resource (243 pages) :
_billustrations (some color)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
_v117
504 _aIncludes bibliographical references (p. 221-234) and Filmography (p. 235).
505 0 0 _aPreliminary Material -- Toward a Definition of Ekphrasis in Literature and Film -- Methodology -- Goya’s Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist’s Battle with his Creatures -- Goya’s Sleep of Reason in Lion Feuchtwanger’s Novel and Konrad Wolf’s Film Adaptation: Private or Social Demons? -- From Screenplay to Film: Rembrandt’s Self-Portraits and Social Identity Construction through Ekphrasis -- Vermeer’s Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision -- Conclusion: The Cerebral and the Affective Function of Ekphrasis -- Works Cited -- Filmography -- List of Illustrations/Image Credits.
506 _aAvailable to subscribing member institutions only.
520 _aThis innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.
600 1 0 _aGoya, Francisco,
_d1746-1828
_xCriticism and interpretation.
600 0 0 _aRembrandt Harmenszoon van Rijn,
_d1606-1669
_xCriticism and interpretation.
600 1 0 _aVermeer, Johannes,
_d1632-1675
_xCriticism and interpretation.
600 1 7 _aGoya, Francisco,
_d1746-1828.
_2fast
600 0 7 _aRembrandt Harmenszoon van Rijn,
_d1606-1669.
_2fast
600 1 7 _aVermeer, Johannes,
_d1632-1675.
_2fast
650 0 _aEkphrasis.
650 0 _aArt in literature.
650 0 _aArt in motion pictures.
650 0 _aPainting and motion pictures.
650 7 _aArt in literature.
_2fast
650 7 _aArt in motion pictures.
_2fast
650 7 _aEkphrasis.
_2fast
650 7 _aPainting and motion pictures.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_aEidt, Laura M. Sager.
_tWriting and filming the painting.
_dAmsterdam ; New York : Rodopi, ©2008
_z9042024577
_z9789042024571
_w(OCoLC)262509385
830 0 _aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
_v117.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2008, ISBN: 9789004357952.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401206273
999 _c47260
_d47260