000			03750nam a22005178i 4500
001			BRILL9789004649446
003			nllekb
005			20260610105749.0
007			cr un uuuua
008			240309s1999 gw sb 001 0 eng d
020			_a9789004649446 _q(electronic book)
020			_z9789042005068 _q(print)
024	7		_a10.1163/9789004649446 _2DOI
035			_a(OCoLC)606277889
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aPQ2191.F63
072		7	_aJFC _2bicssc
072		7	_aSOC _x022000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
082	0	4	_a841.8 _223
100	1		_aBroome, Peter, _eauthor.
245	1	0	_aBaudelaire's Poetic Patterns : _bThe Secret Language of Les Fleurs du Mal / _cPeter Broome.
246	3		_aThe Secret Language of Les Fleurs du Mal
264		1	_aLeiden ; _aBoston : _bBrill, _c1999.
264		4	_c©1999
300			_a1 online resource (544 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aFaux Titre ; _v166
490	1		_aLiterature and Cultural Studies - Book Archive pre-2000
504			_aIncludes bibliographical references and index.
505	0		_tPreliminary Material / _rPeter Broome -- Introduction / _rPeter Broome -- 1. La Chevelure / _rPeter Broome -- 2. Avec Ses Vêtements Ondoy Ants et Nacrés … / _rPeter Broome -- 3. Une Charogne / _rPeter Broome -- 4. Le Chat / _rPeter Broome -- 5. Le Balcon / _rPeter Broome -- 6. Harmonie Du Soir / _rPeter Broome -- 7. Le Poison / _rPeter Broome -- 8. L'Invitation Au Voyage / _rPeter Broome -- 9. À Une Madone / _rPeter Broome -- 10. La Musique / _rPeter Broome -- 11. Spleen / _rPeter Broome -- 12. Spleen / _rPeter Broome -- 13. L'Irrémédiable / _rPeter Broome -- 14. Les Aveugles / _rPeter Broome -- Conclusion / _rPeter Broome -- Bibliographical Note / _rPeter Broome -- Index / _rPeter Broome.
520			_aThis major new study of Baudelaire is a journey into the secret language of Les Fleurs du Mal: the expressive pliabilities of its verse-forms and syntax, the fluctuations of its rhythms, its significant sonorities, its metaphorical figures and dynamic image-patterns, its network of nerves and trigger-points, its shifting underground of parallels and contrasts, analogies and antitheses. Through a strategic selection of poems constituting a 'constellation', a formal pattern of mutually illuminating parts, the analysis aims to show that form and theme are indissoluble: that each movement in the texture of the verse, each pulse, each rise and fall, each intensification or release, not only aids and abets the thrust of the poet's inspiration but is moulding and, in the end, creating the subtleties of sense, which cannot exist but in the weft and web of the breathing, evolving text. It is a study which prioritizes the individual poem, then the poem within an expanding formation of poems, then Baudelaire within and beyond that formation: an infini dans le fini. It is also an enquiry into what makes poetry, as well as a provocative contribution to the ongoing debate on the nature of criticism.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aFrench poetry _y19th century _xHistory and criticism.
650		0	_aFrench poetry.
650		0	_aLiterary style.
776	0	8	_iPrint version: _tBaudelaire's Poetic Patterns : The Secret Language of Les Fleurs du Mal. _dLeiden ; Boston : Brill, 1999. _z9789042005068 _w(OCoLC)41633932
830		0	_aFaux Titre ; _v166.
830		0	_aLiterature and Cultural Studies - Book Archive pre-2000.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004649446
999			_c47062 _d47062