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001			BRILL9789004298729
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007			cr un uuuua
008			150602s2015 ne a s 001 0 eng d
020			_a9789004298729 _q(electronic book)
020			_z9789004298699 _q(print)
024	7		_a10.1163/9789004298729 _2DOI
035			_a(OCoLC)912320608 _z(OCoLC)910283681 _z(OCoLC)910446835
040			_aNL-LeKB _cNL-LeKB _erda
041	0		_aeng _afre
050		4	_aPN51 _b.I434 2015eb
072		7	_aDSA _2bicssc
072		7	_aLIT006000 _2bisacsh
082	0	4	_a809.93355 _223
245	0	4	_aThe imaginary : _bword and image / _cedited by Claus Clüver, Matthijs Engelberts, Véronique Plesch.
246	1	1	_aL'Imaginaire : _btexte et image
264		1	_aLeiden, The Netherlands : _bKoninklijke Brill.
264		4	_cc2015.
300			_a1 online resource (363 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aWord & Image Interactions, _x1388-3569 ; _vv. 8
500			_aIncludes index.
505	0	0	_tPreliminary Material / _rClaus Clüver , Matthijs Engelberts and Véronique Plesch -- _tIntroduction / _rClaus Clüver , Matthijs Engelberts and Véronique Plesch -- _tSummaries / _rClaus Clüver , Matthijs Engelberts and Véronique Plesch -- _t(Re-)Imaging the Imaginary of a Children’s Story by Virginia Woolf: Nurse Lugton… through the Prism of Three Illustrators / _rCaroline Marie -- _tTwentieth-Century Illustrations of Baudelaire’s “La Mort des amants” / _rEric T. Haskell -- _tL’Illustration abstraite au XXe siècle: un paradoxe lessingien? / _rPhilippe Kaenel -- _tL’Ekphrasis dans le roman de Georges Rodenbach Bruges-la-Morte / _rNataliya Lenina -- _tTextes et images dans L’Atelier des apparences / _rSimone Grossman -- _tThe Play of Supports in the Poetics of Christian Dotremont / _rAlexandra Catana -- _tLa Peinture par la bande: le cas de l’album citationnel Lucky Luke: l’artiste peintre / _rLynn Bannon -- _tThe Representation of the Ineffable: Proust in Images / _rFrance Lemoine -- _tUne mélancolie mesurée: de Proust à Heuet / _rÉvelyne Deprêtre -- _tLa Bande dessinée et ses imaginaries hégémoniques ou phagocytés: le cas de Gemma Bovery de Posy Simmonds / _rJean-Louis Tilleuil -- _tHaunted Places: Screening the Imaginary in A Night at the Movies, Or, You Must Remember This by Robert Coover / _rFrançoise Sammarcelli -- _tThrough the Looking-Glass with Chloé Delaume: The Imaginary of Television Read by the Autofictional Novel / _rSonia Lagerwall -- _tTo View or Not to View? Jean-Philippe Toussaint’s Televisual Imaginary / _rArcana Albright -- _tLe Portrait de l’écrivain: une mythologie pérenne? / _rJan Baetens et Fred Truyen -- _tVers une littérature cyborg: l’hybridation médiatique du texte littéraire / _rAnaïs Guilet -- _tText as Image in the Digital Age: A Formalist Reading of Polyvore Sets / _rCaroline Bem -- _tSuaires blancs et noirs, imag(inair)es en négatif: quand l’image “revient” comme empreinte et trace / _rLiliane Louvel -- _tIconoclasme textuel: mettre en mots le monument pour mieux le briser / _rClaire Gheerardyn -- _tPour un imaginaire du présentisme: images du temps chez Claudio Parmiggiani et Hannah Arendt / _rMaryse Ouellet -- _tOn Art History and Meta-Images: Art Reproductions, Site Photographs, and Cézanne’s Art / _rJorgelina Orfila -- _tLa Ville et ses prosopopées fabuleuses / _rNathalie Roelens -- _tDétournement et magnification de l’imaginaire urbain dans les discours sociaux / _rEleonora Diamanti -- _tContributors / _rClaus Clüver , Matthijs Engelberts and Véronique Plesch -- _tIndex / _rClaus Clüver , Matthijs Engelberts and Véronique Plesch.
506			_aAvailable to subscribing member institutions only.
520			_aThe imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
546			_aIn English and French.
588			_aDescription based on online resource; title from PDF title page (ebrary, viewed June 02, 2015).
650		0	_aLiterature and society _xHistory _y20th century.
650		0	_aLiterature and society.
655		0	_aElectronic books.
700	1		_aClüver, Claus.
700	1		_aEngelberts, Matthijs.
700	1		_aPlesch, Véronique.
776	0	8	_iPrint version: _tImaginary : word and image. _dLeiden, The Netherlands : Koninklijke Brill, c2015 _h363 pages _kWord & image interactions ; Volume 8. _x1388-3569 _z9789004298699
830		0	_aWord and Image Interactions _v8.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2015, ISBN: 9789004292840.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004298729
999			_c46669 _d46669