000			03984nam a2200433 i 4500
001			BRILL9789004329768
003			nllekb
005			20260610105741.0
007			cr un uuuua
008			160716s2016 xx s 000 0 eng d
020			_a9789004329768 _q(electronic book)
020			_z9789004329751 _q(print)
024	7		_a10.1163/9789004329768 _2DOI
035			_a(OCoLC)953708636
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN2049 _b.D75 2016
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a792.01/3 _223
245	0	0	_aDramatic Experience : _bThe Poetics of Drama and the Early Modern Public Spheres.
264		1	_bBrill Academic Pub _c2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
505	0	0	_tPreliminary Material -- _tIntroduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- _t1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / _rSven Thorsten Kilian -- _t2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / _rKatja Gvozdeva -- _t3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / _rDéborah Blocker -- _t4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / _rWendy Heller -- _t5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / _rTatiana Korneeva -- _t6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / _rLogan J. Connors -- _t7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / _rKirill Ospovat -- _t8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / _rNigel Smith -- _t9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / _rHans Rudolf Velten -- _t10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / _rToni Bernhart -- _t11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / _rStanca Scholz-Cionca -- _tIndex.
506			_aAvailable to subscribing member institutions only.
520			_aIn Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
650		0	_aTheater.
650		0	_aTheater audiences.
720			_aGvozdeva, Katja.
720			_aKorneeva, Tatiana.
720			_aOspovat, Kirill.
776	0	8	_iPrint version: _tDramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) _dLeiden, Boston : BRILL, 2017, _z9789004329751
830		0	_aDrama and Theatre in Early Modern Europe _v6.
830		0	_aEuropean History and Culture E-Books Online, Collection 2016-II, ISBN: 9789004303881.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004329768
999			_c46628 _d46628