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001			BRILL9789004333826
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010			_a 00391105
020			_a9789004333826 _q(electronic book)
020			_z9789042007383 _q(print)
024	7		_a10.1163/9789004333826 _2DOI
035			_a(OCoLC)43857799 _z(OCoLC)43346493 _z(OCoLC)215201835
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aBD222 _b.S8 2000
072		7	_aPN _2lcco
072		7	_aGT _2bicssc
072		7	_aPOL000000 _2bisacsh
082	0	4	_a126
245	0	0	_aSubjectivity / _ceditors, Willem van Reijen, Willem G. Weststeijn.
264		1	_aAmsterdam ; _aAtlanta, GA : _bRodopi, _c2000.
300			_a1 online resource (330 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAvant garde critical studies ; _v12
504			_aIncludes bibliographical references.
505	0	0	_tINTRODUCTION / _rWillem van Reijen and Willem G. Weststeijn -- _tDYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / _rMario Moroni -- _tDADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / _rHubert van den Berg -- _tSUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / _rChristine van Boheemen -- _tPROUST AND SUBJECTIVITY / _rAnnelies Schulte Nordholt -- _tA GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / _rMatthijs Engelberts -- _tTHE SUBJECT IN MODERN RUSSIAN POETRY / _rWillem G. Weststeijn -- _tSELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / _rManfred Frank -- _tTESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / _rWillem van Reijen -- _tTHE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / _rBoris Groys -- _tSUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / _rAlbrecht von Massow -- _tNEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / _rPatricia Pisters -- _tIT TAKES THREE TO EPISTEMOLOGY / _rSaskia Kersenboom.
506			_aAvailable to subscribing member institutions only.
520			_aSubjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which “discovered” the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism). Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the “I” and the “Other”, on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the “great” stories (Lyotard). In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance.
650		0	_aSubjectivity.
650		7	_aSubjectivity. _2fast
700	1		_aReijen, Willem van, _d1938-
700	1		_aWeststeijn, Willem G.
776	0	8	_iPrint version: _tSubjectivity _dLeiden, Boston : Brill | Rodopi, 1999, _z9789042007383
830		0	_aAvant-Garde Critical Studies _v12.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004333826
999			_c46227 _d46227