000			03639cam a2200493Ii 4500
001			BRILL9789004334229
003			nllekb
005			20260610105731.0
007			cr un uuuua
008			020830s2002 ne sb 000 0 eng d
020			_a9789004334229 _q(electronic book)
020			_z9789042014282 _q(print)
024	7		_a10.1163/9789004334229 _2DOI
035			_a(OCoLC)50524520
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN56.R16 _bL58 2002
072		7	_aPN _2lcco
072		7	_aJFC _2bicssc
072		7	_aSOC022000 _2bisacsh
082	0	4	_a809.933
245	0	0	_aLiterature and racial ambiguity / _cedited by Teresa Hubel, Neil Brooks.
264		1	_aAmsterdam ; _aNew York, NY : _bRodopi, _c2002.
300			_a1 online resource (viii, 320 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aRodopi perspectives on modern literature ; _v27
504			_aIncludes bibliographical references (p. 314-316).
505	0	0	_tPreliminary Material / _rTeresa Hubel and Neil Brooks -- _t\'WHAT IS IN MY BLOOD?\': CONTEMPORARY BLACK SCOTTISHNESS AND THE WORK OF JACKIE KAY / _rTeresa Hubel and Neil Brooks -- _t“EVERYONE WAS VAGUELY RELATED”: HYBRIDITY AND THE POLITICS OF RACE IN SRI LANKAN LITERARY DISCOURSES IN ENGLISH / _rTeresa Hubel and Neil Brooks -- _tPASSING TRANSGRESSIONS AND AUTHENTIC IDENTITY IN JESSIE FAUSET’S PLUM BUN AND NELLA LARSEN’S PASSING / _rTeresa Hubel and Neil Brooks -- _tWHITENESS AS UNSTABLE CONSTRUCTION : KATE PULLINGER’S THE LAST TIME I SAW JANE / _rTeresa Hubel and Neil Brooks -- _tBECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB / _rTeresa Hubel and Neil Brooks -- _tSTRATEGIC CRÉOLITÉ: CALIBAN AND MIRANDA AFTER EMPIRE / _rTeresa Hubel and Neil Brooks -- _tWHITE IDENTITY AND THE NEW ETHIC IN FAULKNER’S LIGHT IN AUGUST / _rTeresa Hubel and Neil Brooks -- _tWHITE FATHERS, BROWN DAUGHTERS: THE FRISBIE FAMILY ROMANCE AND THE AMERICAN PACIFIC / _rTeresa Hubel and Neil Brooks -- _tWRITING CULTURE AND PERFORMING RACE IN MOURNING DOVE’S COGEWEA, THE HALF-BLOOD (1927) / _rTeresa Hubel and Neil Brooks -- _tVISIBLE DIFFERENCES: VIEWING RACIAL IDENTITY IN TONI MORRISON’S PARADISE AND “RECITATIF” / _rTeresa Hubel and Neil Brooks -- _tLOOKING DIFFERENT/RE-THINKING DIFFERENCE: GLOBAL CONSTRAINTS AND/OR CONTRADICTORY CHARACTERISTICS IN YASMINE GOONERATNE’S A CHANGE OF SKIES AND ADIB KHAN’S SEASONAL ADJUSTMENTS / _rTeresa Hubel and Neil Brooks -- _tJESSIE FAUSET’S FICTION: RECONSIDERING RACE AND REVISING AESTHETICISM / _rTeresa Hubel and Neil Brooks -- _t“I MAY CREATE A MONSTER”: CHERRÍE MORAGA’S TRANSCULTURAL CONUNDRUM / _rTeresa Hubel and Neil Brooks -- _tREVISITING THE THIRD SPACE: READING DANZY SENNA’S CAUCASIA / _rTeresa Hubel and Neil Brooks -- _tNOTES ON THE AUTHORS / _rTeresa Hubel and Neil Brooks.
506			_aAvailable to subscribing member institutions only.
650		0	_aRace in literature.
650		0	_aAmbiguity in literature.
650		0	_aLiterature, Modern _xHistory and criticism.
650		7	_aAmbiguity in literature. _2fast
650		7	_aLiterature, Modern. _2fast
650		7	_aRace in literature. _2fast
655		7	_aCriticism, interpretation, etc. _2fast
700	1		_aHubel, Teresa.
700	1		_aBrooks, Neil _q(Neil Edward), _d1962-
776	0	8	_iOnline version: _tLiterature and racial ambiguity. _dAmsterdam ; New York, NY : Rodopi, 2002 _w(OCoLC)605480791
830		0	_aRodopi Perspectives on Modern Literature _v27.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004334229
999			_c46080 _d46080