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| 001 | BRILL9789004358959 | ||
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| 008 | 171215s2018 maua sb 001 0 eng d | ||
| 010 | _a 2017050567 | ||
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_a9789004358959 _q(electronic book) |
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_z9789004340671 _q(print) |
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_a10.1163/9789004358959 _2DOI |
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_aNL-LeKB _cNL-LeKB _erda |
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_aPN849.B3 _bB58 2018 |
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_aHB _2bicssc |
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_aHIS000000 _2bisacsh |
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_a809/.9334051 _223 |
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_aBiti, Vladimir, _d1952- |
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| 245 | 1 | 0 |
_aAttached to dispossession : _bsacrificial narratives in post-imperial Europe / _cby Vladimir Biti. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill. |
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| 264 | 4 | _cc2018. | |
| 300 |
_a1 online resource (viii, 315 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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| 490 | 1 |
_aBalkan Studies Library ; _v21 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aFront Matter -- Copyright page -- Acknowledgments -- Introduction -- Ruling (Out) the Province and Its Consequences: Sovereignty, Dispossession, and Sacrificial Violence in the Early Work of Miloš Crnjanski and Miroslav Krleža -- Disciplining the Wild(wo)men: Borisav Stanković’s Not Wannabe Bride and Janko Polić Kamov’s Wannabe Artist -- A Rebellion on the Knees: Miroslav Krleža and the Croatian Narrative of Dispossession -- The Carnival’s Victims: Miloš Crnjanski’s The Mask and Hugo von Hofmannsthal’s Arabella -- Exempt from Belonging: Ivo Andrić, Karl Kraus, and Post-imperial Trauma -- The Dis/location of Solitude: The Dispossession of the Paternal Protection in Joseph Roth’s The Radetzky March and Radomir Konstantinović’s Descartes’ Death -- The Politics of Remembrance: Walter Benjamin’s Berlin Childhood Around 1900 and Miroslav Krleža’s A Childhood in Agram in 1902–1903. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aAfter the First World War, East Central Europe underwent an extensive geopolitical reconfiguration, resulting in highly turbulent environments in which political sacrificial narratives found a breeding ground. They engaged various groups’ experiences of dispossession, energizing them for the wars against their ‘perpetrators’. By knitting together their frustrations and thus creating new foundational myths, these narratives introduced new imagined communities. Their mutual competition established a typically post-imperial traumatic constellation that generated discontent, frustrations and anxieties. Within the various constituencies that structured it through their interaction, this book focuses on literary narratives of dispossession, which, placed at its nodes, develop much subtler technologies than their political counterparts. They are interpreted as individual and clandestine oppositions to the homogenizing pattern of public narratives. | ||
| 650 | 0 |
_aBalkan literature _xHistory and criticism. |
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| 650 | 0 |
_aSlavic literature, Southern _xHistory and criticism. |
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| 650 | 0 |
_aGerman literature _y20th century _xHistory and criticism. |
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| 650 | 0 | _aSacrifice in literature. | |
| 650 | 0 | _aCollective memory in literature. | |
| 776 | 0 | 8 |
_iOnline version: _aBiti, Vladimir, 1952- author. _tAttached to dispossession _dLeiden ; Boston : Brill, [2018] _z9789004358959 _w(DLC) 2017061388 |
| 830 | 0 |
_aBalkan Studies Library _v21. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2018-II, ISBN: 9789004353305. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004358959 |
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_c45937 _d45937 |
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