000			03282nam a2200445 i 4500
001			BRILL9789004313637
003			nllekb
005			20260610105723.0
007			cr un uuuua
008			151214s2016 mau sb 001 0 eng d
010			_a 2015049472
020			_a9789004313637 _q(electronic book)
020			_z9789004313620 _q(print)
024	7		_a10.1163/9789004313637 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aN6923.B9
072		7	_aACN _2bicssc
072		7	_aART015030 _2bisacsh
082	0	4	_a759.5 _223
245	0	0	_aMichelangelo in the new millennium : _bconversations about artistic practice, patronage and Christianity / _cEdited by Tamara Smithers.
264		1	_aBoston : _bBrill, _c2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aBrill's studies in intellectual history ; _vv. 254
490	0		_aBrill's studies on art, art history, and intellectual history ; _vv. 14
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material -- _tIntroduction: Michelangelo in the New Millennium -- _t1 Site-Specificity / _rJoost Keizer -- _t2 Michelangelo’s Strozzi Tondo?: Securing Status with Art / _rEric R. Hupe -- _t3 The Pitti Tondo: A “Sibylline” Madonna / _rEmily Fenichel -- _t4 Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo’s Doni Tondo and Sistine Ceiling Frescoes / _rJonathan Kline -- _t5 Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / _rErin Sutherland Minter -- _t6 Michelangelo the “Lefty”: The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / _rMargaret Kuntz -- _tCoda Michelangelo’s Suicidal Stone -- _tEpilogue Twenty-first Century Versus Twentieth Century Methodologies / _rMarcia B. Hall -- _tIndex.
506			_aAvailable to subscribing member institutions only.
520			_aMichelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
600	0	0	_aMichelangelo Buonarroti, _d1475-1564 _xCriticism and interpretation.
700	1		_aSmithers, Tamara.
776	0	8	_iPrint version: _tMichelangelo in the new millennium _dBoston : Brill, 2016 _z9789004313620 _w(DLC) 2015049164
830		0	_aBrill's Studies in Intellectual History _v254/14.
830		0	_aBrill's Studies in Intellectual History Online, Supplement 2016, ISBN: 9789004309685.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004313637
999			_c45608 _d45608