| 000 | 05295cam a22004818i 4500 | ||
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| 001 | BRILL9789004375253 | ||
| 003 | nllekb | ||
| 005 | 20260610105720.0 | ||
| 007 | cr un uuuua | ||
| 008 | 180831s2018 ne b 001 0 eng | ||
| 010 | _a 2018041943 | ||
| 020 |
_a9789004375253 _q(electronic book) |
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| 020 |
_z9789004375246 _q(print) |
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| 024 | 7 |
_a10.1163/9789004375253 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aNX650.P53 _bW49 2018 |
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| 072 | 7 |
_aPST _2bicssc |
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| 072 | 7 |
_aSCI _x011000 _2bisacsh |
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| 082 | 0 | 4 |
_a700/.464 _223 |
| 245 | 0 | 0 |
_aWhy look at plants? : _bthe botanical emergence in contemporary art / _cwritten and edited by Giovanni Aloi. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2018. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aCritical plant studies : philosophy, literature, culture, _x2213-0659 ; _vVolume 5 |
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| 490 | 0 | _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2018, ISBN: 9789004353350 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tIntroduction: Why Look at Plants? / _r Giovanni Aloi -- _t1 Lost in the Post-Sublime Forest / _r Giovanni Aloi -- _t2 The Humblest Props Now Play a Role / _rCaroline Picard -- _t3 Ungrid-able Ecologies: Becoming Sensor in a Black Oak Savannah / _r Natasha Myers -- _t4 An Open Book of Grass / _r Jenny Kendler -- _t5 Trees: Upside-Down, Inside-Out, and Moving / _r Giovanni Aloi -- _t6 Animation, Animism … Dukun Dukun and DNA / _r Lucy Davis -- _t7 Tree Wound Portraits / _r Shannon Lee Castleman -- _t8 Contested Sites: Forest as Uncommon Ground / _r Greg Ruffing -- _t9 Quercus velutina, Art of Fiction, No. 11111011 / _r Lindsey French -- _t10 Falling from Grace / _r Giovanni Aloi -- _t11 Hortus Conclusus: The Garden of Earthly Mind / _r Wendy Wheeler -- _t12 Eden’s Heirs: Biopolitics and Vegetal Affinities in the Gardens of Literature / _r Joela Jacobs -- _t13 Thoreau’s Beans / _r Michael Marder -- _t14 The Greenhouse Effects / _r Giovanni Aloi -- _t15 Solarise / _r Luftwerk -- _t16 The Glass Shields the Eyes of the Plant: Darwin’s Glasshouse Study / _r Heidi Norton -- _t17 The Lichen Museum / _rLaurie Palmer -- _t18 Hyperplant Shelf-Life / _r Giovanni Aloi -- _t19 Life in the Aisles / _r Linda Tegg -- _t20 Greenbots Where the Grass Is Greener: An Interview with Katherine Behar / _r Katherine Behar , Fatma Çolakoğlu and Ulya Soley -- _t21 Home Depot Throwing Out Plants / _rVarious Contributors -- _t22 Presence, Bareness, and Being-With / _r Giovanni Aloi -- _t23 Houseplants as Fictional Subjects / _r Susan McHugh -- _t24 Seeing Green: The Climbing Other / _r Dawn Sanders -- _t25 Plant Radio / _r Amanda White -- _t26 Psychoactives and Biogenetics / _r Giovanni Aloi -- _t27 Of Plants and Robots: Art, Architecture and Technoscience for Mixed Societies / _r Monika Bakke -- _t28 Boundary Plants / _r Sara Black -- _t29 The Illustrated Herbal / _r Joshi Radin -- _t30 (Brief) Encounters / _r Giovanni Aloi -- _t31 Places of Maybe: Plants “Making Do” Without the Belly of the Beast / _r Andrew S. Yang -- _t32 The Neophyte / _rLois Weinberger -- _t33 Herbarium Perrine: Interview with Mark Dion / _rMark Dion and Giovanni Aloi -- _t34 Burning Flowers: Interview with Mat Collishaw / _rMat Collishaw and Giovanni Aloi -- _t35 A Program for Plants: In Conversation, Coda / _r Giovanni Aloi , Brian M. John , Linda Tegg and Joshi Radin -- _tBibliography -- _tIndex. |
| 520 | _aWhy Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies. | ||
| 650 | 0 | _aPlants in art. | |
| 650 | 0 |
_aArts, Modern _y20th century _xThemes, motives. |
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| 650 | 0 |
_aArts, Modern _y21st century _xThemes, motives. |
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| 650 | 0 | _aPlants and civilization. | |
| 700 | 1 | _aAloi, Giovanni. | |
| 700 | 1 | _aPicard, Caroline. | |
| 700 | 1 |
_aDavis, Lucy, _d1970- |
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| 776 | 0 | 8 |
_iPrint version: _tWhy Look at Plants? _dLeiden ; Boston : BRILL, [2019], _z9789004375246 |
| 830 | 0 |
_aCritical Plant Studies _v5. |
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| 830 | 0 | _aReligious Studies, Theology and Philosophy E-Books Online, Collection 2018, ISBN: 9789004353350. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004375253 |
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| 999 |
_c45464 _d45464 |
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