000			03739cam a2200481Ii 4500
001			BRILL9789401206921
003			nllekb
005			20260610105714.0
007			cr un uuuua
008			120131s2011 ne ag sbf 001 0 eng d
010			_a 2011534168
020			_a9789401206921 _q(electronic book)
020			_z9789042034051 _q(print)
024	7		_a10.1163/9789401206921 _2DOI
035			_a(OCoLC)772516321 _z(OCoLC)764302546 _z(OCoLC)842549247
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN4151 _b.N68 2011
072		7	_aDSC _2bicssc
072		7	_aLIT014000 _2bisacsh
082	0	4	_a808.5/45 _223
100	1		_aNovak, Julia.
245	1	0	_aLive poetry : _ban integrated approach to poetry in performance / _cJulia Novak.
264		1	_aAmsterdam ; _aNew York : _bRodopi, _c2011.
300			_a1 online resource (271 pages) : _billustrations, music.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; _v153
504			_aIncludes bibliographical references (p. 239-262) and index.
505	0	0	_aPreliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan’s “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aGiven the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a ‘Live Poetry’ boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological ‘toolkit’ for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry’s evolution through its current ‘spoken word’ renaissance. Visit also Novak's website of her publication
650		0	_aPerformance poetry.
650		0	_aEnglish poetry _xHistory and criticism _xTheory, etc.
650		0	_aEnglish poetry _xHistory and criticism _xTheory, etc. _vHandbooks, manuals, etc.
650		0	_aPoetry, Modern _y20th century _xHistory and criticism.
650		0	_aPoetry, Modern _y21st century _xHistory and criticism.
776	0	8	_iPrint version: _tLive Poetry: An Integrated Approach to Poetry in Performance _dLeiden, Boston : Brill | Rodopi, 2011, _z9789042034051
830		0	_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft _v153.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401206921
999			_c45119 _d45119