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008 181126s2019 ne sb 001 0 eng d
020 _a9789004364127
_q(electronic book)
020 _z9789004364110
_q(print)
024 7 _a10.1163/9789004364127
_2DOI
035 _a(OCoLC)1048941598
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPS228
_b.B6
072 7 _aDS
_2bicssc
072 7 _aLIT
_x000000
_2bisacsh
082 0 4 _a810.9/0054
_223
245 1 0 _aBeat Literature in a Divided Europe
_cHarri Veivo, Petra James, Dorota Walczak-Delanois.
264 1 _aLeiden,
_aBoston :
_bBrill | Rodopi,
_c2019.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aAvant-Garde Critical Studies ;
_vv. 35
490 0 _aLiterature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334
504 _aIncludes bibliographical references and index.
505 0 0 _tFront Matter --
_tCopyright Page --
_tIntroduction /
_rHarri Veivo , Petra James and Dorota Walczak-Delanois --
_tLiterature in a State of Crisis – Beat Poetry, the Modernist Establishment and the Avant-Garde in Iceland /
_rBenedikt Hjartarson --
_tIn Kainuu as in Colorado – Receptions and Appropriations of Beat Literature in Finland in the 1960s /
_rHarri Veivo --
_tListening to the ‘Feverish Beat’: between Alienation and Creative Resistance – the Czech Reception of the Beats /
_rPetra James --
_tHowl on the Road – Traces of the Beat Movement in Estonian Literature /
_rTiit Hennoste --
_tThe Transfer and Appropriations of the Beat Generation in Greece /
_rMaria Nikolopoulou --
_tFrom Pencil Blue to Carnation Red: the Long 1960s and Beat Reception in Portugal /
_rNuno Miguel Neves --
_tLook at the Road! The Polish Way of the Big Beat /
_rDorota Walczak-Delanois --
_tThe Beat Generation in Spain: Changes in the Underground Culture /
_rSantiago Rodríguez Guerrero-Strachan --
_tThe Reception of Beat Literature in Hungary /
_rJózsef Havasréti --
_tGinsberg, Where Are You? – the Reception of Beat Literature in Austria /
_rThomas Antonic --
_tReading Beat and Being Beat in Oslo – the Reception and Inspiration of Beat Culture in Post-war Norway /
_rFrida Forsgren --
_tUnexploded Bombshells: Beat (Non-)Subversion in the Francophone and Flemish Crucibles /
_rFranca Bellarsi and Gregory Watson --
_tBack Matter --
_tIndex.
506 _aAvailable to subscribing member institutions only.
520 _aBeat Literature in Europe offers twelve in-depth analyses of how European authors and intellectuals on both sides of the Iron Curtain read, translated and appropriated American Beat literature. The chapters combine textual analysis with discussions on the role Beat had in popular music, art, and different subcultures. The book participates in the transnational turn that has gained in importance during the past years in literary studies, looking at transatlantic connections through the eyes of European authors, artists and intellectuals, and showing how Beat became a cluster of texts, images, and discussions with global scope. At the same time, it provides vivid examples of how national literary fields in Europe evolved during the cold war era. Contributors are: Thomas Antonic, Franca Bellarsi, Frida Forsgren, Santiago Rodriguez Guerrero-Strachan, József Havasréti, Tiit Hennoste, Benedikt Hjartarson, Petra James, Nuno Neves, Maria Nikopoulou, Harri Veivo, Dorota Walczak-Delanois, Gregory Watson.
650 0 _aBeats (Persons)
_xInfluence.
650 0 _aBeat literature
_yHistory and criticism.
650 0 _aAmerican literature
_xAppreciation
_zEurope.
650 0 _aAvant-garde (Aesthetics)
_zEurope
_yHistory
_y20th century.
700 1 _aVeivo, Harri,
_eeditor.
700 1 _aJames, Petra,
_eeditor.
700 1 _aWalczak-Delanois, Dorota,
_eeditor.
776 0 8 _iPrint version:
_tBeat Literature in a Divided Europe
_dLeiden ; Boston : Brill | Rodopi, 2019,
_z9789004364110
830 0 _aAvant-Garde Critical Studies
_v35.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2019, ISBN: 9789004386334.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004364127
999 _c44685
_d44685