000			03543nam a2200469 i 4500
001			BRILL9789004267862
003			nllekb
005			20260610105654.0
007			cr un uuuua
008			131223s2014 mau b 001 0 eng
010			_a 2013050611
020			_a9789004267862 _q(electronic book)
020			_z9789004267855 _q(print)
024	7		_a10.1163/9789004267862 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
042			_apcc
043			_ae------
050		4	_aN8253.T5 _bC64 2014
072		7	_aHIS010000 _2bisacsh
082	0	4	_a701/.08 _223
100	1		_aCohen, Simona.
245	1	0	_aTransformations of time and temporality in Medieval and Renaissance art / _cby Simona Cohen.
264		1	_aBoston : _bBrill, _c2014.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aBrill's studies in intellectual history _aBrill's Studies on Art, Art History, and Intellectual History ; Volume 6 ; _vv. 228
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Color Plates -- Introduction -- 1. Concepts of Time in Classical Philosophy -- 2. Classical Personifications of Time -- 3. Early Christian and Medieval Concepts of Time -- 4. Time and Temporality in Medieval Art -- 5. The Romanesque Zodiac: Its Symbolic Function on the Church Facade -- 6. The Renaissance Personification of Time in Illustrations to Petrarch’s Trionfo del Tempo -- 7. Time, Virtuousness and Wisdom in Giorgione’s Castelfranco Fresco -- 8. Kairos/Occasio—Vicissitudes of Propitious Time from Antiquity to the Renaissance -- 9. Veritas filia temporis: Time in Cinquecento Propaganda -- Epilogue -- Appendix I: Catalogue of Illuminated Manuscripts of Petrarch’s Trionfi Located in European and American Collections -- Select Bibliography -- Index.
520			_aAlthough studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.
650		0	_aTime in art.
650		0	_aTime _xSocial aspects _xHistory. _zEurope
650		0	_aTime perception _zEurope _xHistory.
650		0	_aArt, Medieval _xThemes, motives.
650		0	_aArt, Renaissance _xThemes, motives.
776	0	8	_iPrint version: _tTransformations of Time and Temporality in Medieval and Renaissance Art _dLeiden, Boston : BRILL, 2014, _z9789004267855
830		0	_aBrill's Studies in Intellectual History _v228/6.
830		0	_aBrill's Studies in Intellectual History Online, Supplement 2014, ISBN: 9789004257207.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004267862
999			_c43923 _d43923