000			03849cam a2200529 i 4500
001			BRILL9789047424079
003			nllekb
005			20260610105651.0
007			cr un uuuua
008			081209s2009 ne sb 001 0beng
010			_a 2008053385
020			_a9789047424079 _q(electronic book)
020			_z9789004170766 _q(print)
024	7		_a10.1163/ej.9789004170766.i-262 _2DOI
035			_a(OCoLC)278980872
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-rm---
050		4	_aPA6537 _b.M34 2009
082	0	4	_a871/.01 _222
100	1		_aMcGowan, Matthew M.
245	1	0	_aOvid in exile : _bpower and poetic redress in the Tristia and Epistulae ex Ponto / _cby Matthew M. McGowan.
264		1	_aBoston : _bBrill, _c2009.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aBrill eBook titles 2009
504			_aIncludes bibliographical references (p. [217]-231) and indexes.
505	0	0	_tPreliminary material / _rM. Mcgowan -- _tIntroduction - The redress of exile / _rM. Mcgowan -- _tChapter One. Historical reality and poetic representation / _rM. Mcgowan -- _tChapter Two. Crimes and punishments: The legitimacy of Ovid’s banishment / _rM. Mcgowan -- _tChapter Three. God and man: Caesar Augustus in Ovid’s exilic mythology / _rM. Mcgowan -- _tChapter Four. Religious ritual and poetic devotion: Ovid’s representation of religion in Tr. and Pont. / _rM. Mcgowan -- _tChapter Five. Space, justice, and the legal limits of empire: A comparative analysis of Fas, Ius, Lex, and Vates in Tr. and Pont. / _rM. Mcgowan -- _tChapter Six. Ovidius Naso, poeta et exul: Ovid’s identification with Homer and Ulysses in Tr. and Pont. / _rM. Mcgowan -- _tConclusion - The exile’s last word: Power and poetic redress on the margins of empire / _rM. Mcgowan -- _tBibliography / _rM. Mcgowan -- _tIndex locorum / _rM. Mcgowan -- _tIndex verborum* / _rM. Mcgowan -- _tIndex rerum / _rM. Mcgowan -- _tSupplements to Mnemosyne / _rM. Mcgowan.
506	1		_aAvailable to subscribing member institutions only.
520			_aIn response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
600	0	0	_aOvid, _d43 B.C.-17 or 18 A.D. _tEpistulae ex Ponto.
600	0	0	_aOvid, _d43 B.C.-17 or 18 A.D. _tTristia.
600	0	0	_aOvid, _d43 B.C.-17 or 18 A.D. _xExile.
600	0	0	_aOvid, _d43 B.C.-17 or 18 A.D. _xHomes and haunts _zConstanța.
650		0	_aExile (Punishment) in literature.
650		0	_aExiles in literature.
650		0	_aExiles _zRome _vBiography.
650		0	_aPoets, Latin _vBiography.
651		0	_aConstanța (Romania) _xIn literature.
776	0		_tOvid in exile _z9789004170766 (hardback : alk. paper) _z9004170766 (hardback : alk. paper)
830		0	_aMnemosyne, Supplements _v309.
830		0	_aMnemosyne Supplements Online, Volumes 204-407, ISBN: 9789004322288.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004170766.i-262
994			_aC0 _bNEIDC
999			_c43770 _d43770