| 000 | 03275cam a22005418i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004381827 | ||
| 003 | nllekb | ||
| 005 | 20260610105649.0 | ||
| 007 | cr un uuuua | ||
| 008 | 180927s2018 ne ob 001 0 eng | ||
| 010 | _a 2018046557 | ||
| 020 |
_a9789004381827 _q(electronic book) |
||
| 020 |
_z9789004381834 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004381827 _2DOI |
|
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 043 | _ae-fr--- | ||
| 050 | 4 | _aPQ239 | |
| 072 | 7 |
_aDS _2bicssc |
|
| 072 | 7 |
_aLIT _x000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a840.9/3003 _223 |
| 100 | 1 |
_aRobert-Nicoud, Vincent Corentin, _d1987- _eauthor. |
|
| 245 | 1 | 4 |
_aThe world upside-down in 16th century French literature and visual culture / _cby Vincent Robert-Nicoud. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill Rodopi, _c[2018] |
|
| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bn _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 0 |
_aFaux titre : etudes de langue et litterature francaises, _x0167-9392 ; _vvolume 426 |
|
| 490 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2018, ISBN: 9789004353336 | |
| 500 | _aRevision of author's thesis (doctoral)--University of Oxford, 2016. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aFront Matter -- Copyright page -- Acknowledgements -- Illustrations -- Abbreviations -- The Sixteenth-Century World Upside Down -- Adages, Paradoxes and Emblems -- Rabelais’s World Upside Down -- Religious Satire and Overturned Cooking Pots -- Social and Cosmic Disorders -- General Conclusion -- Back Matter -- Bibliography -- Index Nominum. |
| 520 | _aIn The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors. | ||
| 650 | 0 |
_aFrench literature _y16th century _xHistory and criticism. |
|
| 650 | 0 | _aSymbolic inversion in literature. | |
| 650 | 0 | _aSymbolic inversion in art. | |
| 650 | 0 |
_aLiterature and society _zFrance _xHistory _y16th century. |
|
| 650 | 0 | _aSatire, French. | |
| 650 | 0 |
_aArt _zFrance _xHistory. |
|
| 650 | 0 |
_aRenaissance _zFrance. |
|
| 651 | 0 |
_aFrance _xHistory _y16th century. |
|
| 651 | 0 |
_aFrance _xIntellectual life _y16th century. |
|
| 776 | 0 | 8 |
_iPrint version: _tThe World Upside Down in 16th-Century French Literature and Visual Culture _dLeiden ; Boston : Brill | Rodopi, [2018], _z9789004381834 |
| 830 | 0 |
_aFaux Titre _v426. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2018, ISBN: 9789004353336. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004381827 |
|
| 999 |
_c43661 _d43661 |
||