| 000 | 04812cam a2200553Ii 4500 | ||
|---|---|---|---|
| 001 | BRILL9789042029941 | ||
| 003 | nllekb | ||
| 005 | 20260610105649.0 | ||
| 007 | cr un uuuua | ||
| 008 | 100806s2010 ne sb 001 0 eng d | ||
| 020 |
_a9789042029941 _q(electronic book) |
||
| 020 |
_z9789042029934 _q(print) |
||
| 024 | 7 |
_a10.1163/9789042029941 _2DOI |
|
| 035 |
_a(OCoLC)653197934 _z(OCoLC)648711447 _z(OCoLC)651923203 _z(OCoLC)712990642 _z(OCoLC)732605582 _z(OCoLC)733239294 _z(OCoLC)748600558 _z(OCoLC)764540052 _z(OCoLC)961540839 _z(OCoLC)962608691 |
||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 050 | 4 |
_aPR8750 _b.H34 2010eb |
|
| 072 | 7 |
_aLIT _x004120 _2bisacsh |
|
| 072 | 7 |
_aDSB _2bicssc |
|
| 072 | 7 |
_aLIT000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a820 _222 |
| 100 | 1 |
_aHagan, Edward A. _q(Edward Alphonsus), _d1947- |
|
| 245 | 1 | 0 |
_aGoodbye Yeats and O'Neill : _bfarce in contemporary Irish and Irish-American narratives / _cEdward A. Hagan. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi, _c2010. |
|
| 300 | _a1 online resource (vi, 329 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 380 | _aBibliography | ||
| 490 | 1 |
_aCosterus ; _vnew ser., v. 183 |
|
| 504 | _aIncludes bibliographical references (p. 315-320) and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- THE DONKEYS AND THE NARROWBACKS: CONTEMPORARY CIRCUS ANIMALS -- DEFINING THE OBJECT FOR STRUGGLE: EPISTEMOLOGY IN THE AGE OF AUTOBIOGRAPHY – FRANK MCCOURT, ANGELA’S ASHES AND SEAMUS DEANE, READING IN THE DARK -- BELFAST AND SOUTH BOSTON: CUT OFF FROM SERIOUS CONSIDERATION – GERRY ADAMS, BEFORE THE DAWN AND MICHAEL PATRICK MACDONALD, ALL SOULS -- THE VOID OF IRISH IDENTITY: NUALA O’FAOLAIN, ARE YOU SOMEBODY -- TIM O’BRIEN’S IRONIC AESTHETIC: FAITH AND THE NATURE OF A “TRUE” STORY -- THE DELUSION OF CULTURAL STUDIES: COLM TÓIBÍN, THE BLACKWATER LIGHTSHIP -- PICARESQUE FARCE: NICK LAIRD, UTTERLY MONKEY -- ICONS FOR THE NEW AGE: THE TRANSVESTITE IN PATRICK MCCABE’S BREAKFAST ON PLUTO AND THE BALLET DANCER IN COLUM MCCANN’S DANCER -- HOME ISN’T THERE ANY MORE: WILLIAM TREVOR’S THE STORY OF LUCY GAULT AND JOHN MCGAHERN’S BY THE LAKE -- TRANSFORMING NOSTALGIA FOR THE VICTORIAN: CLARE BOYLAN’S CHARLOTTE BRONTË NOVEL, EMMA BROWN -- THE IRISH WESTERN EPIC: RODDY DOYLE REMAKES JOHN FORD – THE LAST ROUNDUP -- THE AMERICAN WAKE: ALICE MCDERMOTT, CHILD OF MY HEART -- BEING IRISH AND BEING NOTHING: THE ABYSS OF IDENTITY IN ALICE MCDERMOTT’S CHARMING BILLY AND EDWARD J. DELANEY’S FICTION -- THE HEADACHE AND THE ASPIRIN: SEX AS DISEASE AND CURE IN SHERMAN ALEXIE’S THE TOUGHEST INDIAN IN THE WORLD, COLUM MCCANN’S THIS SIDE OF BRIGHTNESS, AND OTHER CONTEMPORARY STORIES -- LOW SERIOUSNESS IN BETH LORDAN’S BUT COME YE BACK -- THE DECAY OF LYING? ON LIFE SUPPORT IN WILLIAM KENNEDY’S ROSCOE AND THOMAS KELLY’S THE RACKETS -- VISITING THE AMERICAN SIXTIES ON IRELAND: MARY GORDON’S PEARL -- THE NECESSITY AND FUTILITY OF ROMANCE: THOMAS KELLY’S EMPIRE RISING -- WHAT IS THE IRISH STORY? R.F. FOSTER’S THE IRISH STORY -- THE FUNCTION OF FARCE AT THE PRESENT TIME -- THE PATTERN OF READING IN THE DARK -- BIBLIOGRAPHY -- INDEX. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aGoodbye Yeats and O’Neill is a reading of one or two books recently written by the following major authors: Roddy Doyle, Colm Tóibín, John McGahern, William Trevor, Seamus Deane, Nuala O’Faolain, Patrick McCabe, Colum McCann, Nick Laird, Gerry Adams, Claire Boylan, Frank McCourt, Tim O’Brien, Michael Patrick MacDonald, Alice McDermott, Edward J. Delaney, Beth Lordan, William Kennedy, Thomas Kelly, and Mary Gordon. The study argues that farce has been a major mode of recent Irish and Irish-American fiction and memoir—a primary indicator of the state of both Irish and Irish-American cultures in the early twenty-first century. | ||
| 648 | 7 |
_a1900-1999 _2fast |
|
| 650 | 0 |
_aIrish literature _y20th century _xHistory and criticism. |
|
| 650 | 0 |
_aIrish American literature _y20th century _xHistory and criticism. |
|
| 650 | 0 | _aFarce. | |
| 650 | 0 | _aIrony in literature. | |
| 650 | 7 |
_aFarce. _2fast |
|
| 650 | 7 |
_aIrish American literature. _2fast |
|
| 650 | 7 |
_aIrish literature. _2fast |
|
| 650 | 7 |
_aIrony in literature. _2fast |
|
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
|
| 776 | 0 | 8 |
_iPrint version: _aHagan, Edward A. (Edward Alphonsus), 1947- _tGoodbye Yeats and O'Neill. _dAmsterdam ; New York : Rodopi, 2010 _z9789042029934 _w(OCoLC)640095706 |
| 830 | 0 |
_aCosterus New Series _v183. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2010, ISBN: 9789004357921. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789042029941 |
|
| 999 |
_c43635 _d43635 |
||