| 000 | 03186nam a22005058i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004650565 | ||
| 003 | nllekb | ||
| 005 | 20260610105648.0 | ||
| 007 | cr un uuuua | ||
| 008 | 240309s1994 gw sb 001 0 eng d | ||
| 020 |
_a9789004650565 _q(electronic book) |
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| 020 |
_z9789051837070 _q(print) |
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| 024 | 7 |
_a10.1163/9789004650565 _2DOI |
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| 035 | _a(OCoLC)623929010 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 041 | _aeng | ||
| 050 | 4 | _aPQ2679.O4 | |
| 072 | 7 |
_aJFC _2bicssc |
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| 072 | 7 |
_aSOC _x022000 _2bisacsh |
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| 072 | 7 |
_aSOC _x026000 _2bisacsh |
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| 082 | 0 | 4 |
_a843.914 _223 |
| 100 | 1 |
_aPollard, Malcolm Charles, _eauthor. |
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| 245 | 1 | 4 |
_aThe Novels of Philippe Sollers : _bNarrative and the Visual / _cMalcolm Charles Pollard. |
| 246 | 3 | _aNarrative and the Visual | |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c1994. |
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| 264 | 4 | _c©1994 | |
| 300 |
_a1 online resource (212 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aFaux Titre ; _v90 |
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| 490 | 1 | _aLiterature and Cultural Studies - Book Archive pre-2000 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 |
_tPreliminary Material / _rMalcolm Charles Pollard -- Acknowledgements / _rMalcolm Charles Pollard -- Introduction / _rMalcolm Charles Pollard -- Chapter One Bio-graphical preamble (1936-1964) / _rMalcolm Charles Pollard -- Chapter Two Bio-graphical preamble (1965-1982) / _rMalcolm Charles Pollard -- Chapter Three Bio-graphical preamble (1983-1992) / _rMalcolm Charles Pollard -- Conclusion / _rMalcolm Charles Pollard -- Bibliography / _rMalcolm Charles Pollard. |
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| 520 | _aIt is easy simply to attribute the high profile of Sollers, the numerous autobiographical details in his novels, and also the espousal of so many different views and causes, to egocentrism and opportunism. Alternatively, one could say that they are all significant elements in an ongoing enquiry into the role of fiction in a society where attitudes are often thought to be determined more by images than by the written word. Given Sollers's questioning of society's conventional images (as in Debord's notion of the 'spectacle'), his awareness of his own role in the media, and his interest in developing a discourse on the visual arts, how do such concerns come together to create new forms of fiction and a coherent aesthetics? These seemingly disparate questions are all in fact related to Sollers's desire to challenge the accepted parameters of representation by creating an alternative scene in the novel, a subject which forms the basis of this book. | ||
| 546 | _aEnglish | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aArt in literature. | |
| 650 | 0 | _aVisual perception in literature. | |
| 776 | 0 | 8 |
_iPrint version: _tThe Novels of Philippe Sollers : Narrative and the Visual. _dLeiden ; Boston : Brill, 1994. _z9789051837070 _w(OCoLC)31922835 |
| 830 | 0 |
_aFaux Titre ; _v90. |
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| 830 | 0 | _aLiterature and Cultural Studies - Book Archive pre-2000. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004650565 |
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| 999 |
_c43587 _d43587 |
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