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007			cr un uuuua
008			210425s2017 mau sb 001 0 eng d
010			_a 2017045616
020			_a9789004354500 _q(electronic book)
020			_z9789004354326 _q(print)
024	7		_a10.1163/9789004354500 _2DOI
035			_a 2017045616 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda _beng
050		4	_aN72.G55
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a701/.0309 _223
245	0	4	_aThe nomadic object : _bthe challenge of world for early modern religious art / _cedited by Christine Gottler, Mia M. Mochizuki.
264		1	_aBoston : _bBrill, _c2017.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tFront Matter -- _tCopyright page -- _tAcknowledgements -- _tNotes on the Editors -- _tNotes on the Contributors -- _tList of Illustrations -- _tConnected Worlds-The World, the Worldly, and the Otherworldly: An Introduction / _rMia M. Mochizuki -- _tThe World's 'Idols' -- _tExtraordinary Things: 'Idols from India' and the Visual Discernment of Space and Time, circa 1600 / _rChristine Göttler -- _tArabic Inscriptions in the Service of the Church: An Italian Textile Evoking an Early Christian Past?* / _rDenise-Marie Teece -- _tMateriality and Idolatry: Roman Imaginations of Saint Rose of Lima* / _rTristan Weddigen -- _tParables of Contact -- _tUt Pictura Lex: Jan David, S.J., on Natural Law and the Global Reach of Christian Images / _rWalter S. Melion -- _tTranslating the Sacred: The Peripatetic Print in the Florentine Codex, Mexico (1575-1577) / _rJeanette Favrot Peterson -- _tThe Value of Misinterpretation in Cultural Exchange: The Transfer of Christian Prints from the West to Japan / _rYoriko Kobayashi-Sato -- _tPropagatio Imaginum: The Translated Images of Our Lady of Foy / _rRalph Dekoninck -- _tMaterial Alchemies -- _t'Mass' Produced Devotional Paintings in the Andes: Mobility, Flexibility, Visual Habitus* / _rEvonne Levy -- _tGems of Sacred Kingship: Faceting Anglo-Mughal Relations around 1600 / _rChristiane Hille -- _tCultured Materiality in Early Modern Art: Feather Mosaics in Sixteenth-Century Collections* / _rMargit Kern -- _tMaking Marvels-Faking Matter: Mediating Virtus between the Bezoar and Goa Stones and Their Containers* / _rBeate Fricke -- _tRelic Values -- _tNaked Bones, Empty Caskets, and a Faceless Bust: Christian Relics and Reliquaries between Europe and Asia during Early Modern Globalisation* / _rUrte Krass -- _tVirgin Skulls: The Travels of St. Ursula's Companions in the New World / _rRose Marie San Juan -- _tRelic or Icon? The Place and Function of Imperial Regalia* / _rAkira Akiyama -- _tRelics Management: Building a Spiritual Empire in Asia (Sixteenth and Seventeenth Centuries) / _rInes G. Županov -- _t'Netted' Works -- _tThe Seven Sorrows of the Virgin: Spreading a New Cult via Dynastic Networks* / _rDagmar Eichberger -- _tEarly Modern Incense Boats: Commerce, Christianity, and Cultural Exchange* / _rJeffrey L. Collins and Meredith Martin -- _tJourneys, Real and Imaginary, in China and Europe: Cartography, Landscape, and Travel around 1600* / _rJames Clifton -- _tArrivals at Distant Lands: Artful Letters and Entangled Mobilities in the Indian Ocean Littoral* / _rDipti Khera.
506			_aAvailable to subscribing member institutions only.
520			_aAt the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aArt and globalization _xHistory.
650		0	_aCulture and globalization _xHistory.
650		0	_aReligious art.
700	1		_aGöttler, Christine.
700	1		_aMochizuki, Mia M.
776	0	8	_iPrint version: _tNomadic object _dBoston : Brill, 2017 _z9789004354326 _w(DLC) 2017040850
830		0	_aIntersections _v53.
830		0	_aEuropean History and Culture E-Books Online, Collection 2017-II, ISBN: 9789004328013.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004354500
999			_c43500 _d43500