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008			241129s2025 gw sb 001 0 eng d
010			_a 2024036257
020			_a9789004694613 _q(electronic book)
020			_z9789004694606 _q(print)
024	7		_a10.1163/9789004694613 _2DOI
035			_z(OCoLC)2209
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
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082	0	4	_a700/.453 _223
245	0	0	_aMotus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700 / _cedited by Karl A.E. Enenkel and Walter S. Melion.
264		1	_aLeiden ; _aBoston : _bBrill, _c2025.
264		4	_c©2025
300			_a1 online resource (728 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2024
490	1		_aIntersections ; _v90
504			_aIncludes bibliographical references and index.
505	0		_tFront Matter -- Preliminary Material / _rWalter S. Melion -- Part 1 Portraying Mixed Emotions in the Literary Arts -- Section A Mixed Emotions in Dutch and Latin Drama -- Chapter 2 All Motion Discovers Us: Moral Discernment and the Role of the Passions in Willem van Nieulandt’s Nero (1618) / _rBart Ramakers -- Chapter 3 Staging the In-Between: Compound, Conflicting and Shifting Emotions in Seventeenth-Century Neo-Latin Drama from the Dutch Republic / _rLukas Reddemann -- Section B Mixed Emotions in Neo-Latin and French Poetry -- Chapter 4 Between Fleeting and Compound Emotions in Neo-Latin Lyric Poetry on ‘Turks’: Georgius Sisgoreus’ Elegia de Sibenicensis agri vastatione / _rLudovica Sasso -- Chapter 5 Shifting Emotions in Neo-Latin Psalm Poetry and Erotic Elegy: George Buchanan and Janus Lernutius / _rCarolin A. Giere -- Chapter 6 On Red and White Cheeks: Jakob Balde’s Poetic Ekphrases on a Triptych by Christoph Schwarz in the Light of the Scholastic Theory of the Passions / _rAline Smeesters -- Chapter 7 Mixed Motives: the Art of Joachim Du Bellay, 1549–1558 / _rTom Conley -- Section C Mixed Emotions in Prose Literature -- Chapter 8 Tears of Love and Sorrow: the Affective Regime of the European Pastoral Tradition / _rAnita Traninger -- Chapter 9 ‘How We Weep and Laugh at the Same Thing’: Conflicting Emotions in Rabelais and Montaigne / _rPaul J. Smith -- Chapter 10 The Troubles of Christian Perfection: Berinzaga, Gagliardi, Borromeo / _rWietse de Boer -- Part 2 Portraying Mixed Emotions in the Visual Arts -- Section A Mixed Emotions in Image-based Spiritual Exercises -- Chapter 11 O vos omnes : Recognition, Tragic Emotion, and the Passerby Topos in Northern European Art around 1500 / _rMitchell Merback -- Chapter 12 Mixed Emotion and Spiritual Perfection in Abraham Bloemaert’s Sylva anachoretica of 1619 / _rWalter S. Melion -- Chapter 13 Spiritual Joy in the Face of Death: Compound Emotions in Texts and Images of the Martyrs of the Japan Mission / _rRaphaèle Preisinger -- Chapter 14 Materialities of Mixed Emotions and Spiritual Martyrdom between the Grand Duchy of Lithuania and Grand Duchy of Tuscany / _rRuth Sargent Noyes -- Section B Heuristic and Sanative Images of Mixed Emotions -- Chapter 15 Francisci chorda traxit ad se plurima corda : ‘Drawing’ the Heart’s Emotions in Jan Provoost’s Diptych of Christ Carrying the Cross / _rElliott D. Wise -- Chapter 16 ‘Symbolic Anatomies’: Hendrick Goltzius and the Ambiguities of Early Modern Disability / _rBarbara A. Kaminska -- Chapter 17 Exploring Complex Emotions through the Portrayal of Dialogic Exchange: Pieter Lastman’s Paul and Barnabas in Lystra of 1617 / _rGraham R. Lea -- Chapter 18 Between Despair and Hope: Raising Emotions with Dutch Seventeenth-Century Marine Paintings and Prints / _rStijn Bussels and Bram Van Oostveldt -- Back Matter -- Index Nominum.
520			_aThis book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aEmotions in literature.
650		0	_aEuropean literature _yRenaissance, 1450-1600 _xHistory and criticism.
650		0	_aPainting, European _y16th century.
700	1		_aEnenkel, Karl A.E., _eeditor.
700	1		_aMelion, Walter S., _eeditor.
776	0	8	_iPrint version: _tMotus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700. _dLeiden ; Boston : Brill, 2025. _z9789004694606 _w(DLC) 2024036256
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2024.
830		0	_aIntersections ; _v90.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004694613
999			_c43255 _d43255