000			04084cam a2200541Ii 4500
001			BRILL9789401210263
003			nllekb
005			20260610105636.0
007			cr un uuuua
008			140221s2014 ne sb 001 0 eng d
020			_a9789401210263 _q(electronic book)
020			_z9789042037779 _q(print)
024	7		_a10.1163/9789401210263 _2DOI
035			_a(OCoLC)870893294 _z(OCoLC)994558389
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-fr---
050		4	_aPN56.F47 _bR65 2014
072		7	_aLIT _x004150 _2bisacsh
072		7	_aDSBH _2bicssc
072		7	_aLIT000000 _2bisacsh
082	0	4	_a843/.9209 _223
100	1		_aRolls, Alistair.
245	1	0	_aParis and the fetish : _bprimal crime scenes / _cAlistair Rolls.
264		1	_aAmsterdam : _bRodopi, _c2014.
300			_a1 online resource (181 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aChiasma, _x1380-7811 ; _v33
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Acknowledgements -- Please, Let’s Talk about Text -- Paris, Capital of Fetishism: The Fashion of Looking (Again and Again) at the Woman Passing By -- Deciphering the Hieroglyphic in Frédéric Cathala’s L’Arbalète : La vraie vie commence -- Not Seeing (and Seeing) the Wolves for the Trees: Unrepresenting Hyperclarity in Fred Vargas’s L’Homme à l’envers -- Roquentin’s Primal Scene, Or What is and What is Not Seen in La Nausée -- Léo Malet’s Troubled Waters, Or How to Have Your Femme Fatale and Kill Her -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aFreud’s 1927 essay on the acquisition of a screen memory, or fetish, allows the subject to come to terms with the traumatic truth that, for him, dominates the present moment (in Freud’s scenario, the truth of mother’s sexuality) by maintaining, alongside and not in place of it, a parallel story of the past (the myth of the phallic mother). In this book Freud’s theory of the fetish, and in particular this way of allowing two opposed and ostensibly mutually exclusive narratives to co-exist, is used to provide a number of Parisian crime texts with radical new solutions. The fetishistic world-view of Charles Baudelaire’s poetics will be shown to provide the template for all overvalued instances of women passing by; notably, it will be seen how the famous assault on one of Christian Dior’s models as she displayed the New Look for the first time in Montmartre in 1947 depends on a fetish erected in the poem “À une passante”. The same Paris streets allow red herrings to be raised to the status of truth in novels by Fred Vargas, Léo Malet and Frédéric Cathala. In these texts the discovery of a primal scene allows doubt to be cast over authorial solutions and new murderers or victims to be found. In the case of Jean-Paul Sartre’s La Nausée , the fetishism at work is shown to have harboured a serial killer where no crime was previously considered to have taken place. In these analyses, fetishism is mapped onto prose poetics, intertextuality and deconstruction in order to challenge the way we read text. More importantly, rereading these texts allows us to see fetishism in a new light as a force for positive, creative acts of meaning-making.
546			_aEnglish.
650		0	_aFetishism in literature.
650		0	_aFetishism _zFrance _zParis.
650		0	_aCrime in literature.
650		7	_aCrime in literature. _2fast
650		7	_aFetishism. _2fast
650		7	_aFetishism in literature. _2fast
651		7	_aFrance _zParis. _2fast
655		0	_aElectronic books.
776	0	8	_iErscheint auch als: _nDruck-Ausgabe _aRolls, Alistair. Paris and the fetish . _tPrimal crime scenes
830		0	_aChiasma _v33.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401210263
999			_c42866 _d42866