000 04309nam a2200529 i 4500
001 BRILL9789004304406
003 nllekb
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007 cr un uuuua
008 150915s2015 ne sb 001 0 eng d
010 _a 2015948134
020 _a9789004304406
_q(electronic book)
020 _z9789004304383
_q(print)
024 7 _a10.1163/9789004304406
_2DOI
035 _a(OCoLC)921180959
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aB105.V64
_bS68 2015
072 7 _aDS
_2bicssc
072 7 _aLIT000000
_2bisacsh
082 0 4 _a823.009353
_223
245 0 0 _aSound effects :
_bthe object voice in fiction /
_cedited by Jorge Sacido-Romero and Sylivia Mieszkowski.
246 3 _aSound effects
264 1 _aLeiden :
_bBrill Rodopi.
264 4 _cc2015.
300 _a1 online resource (XX, 339 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aDQR studies in literature,
_x0921-2507 ;
_vv. 59
504 _aIncludes bibliographical references and index.
505 0 0 _tPreliminary Material /
_rJorge Sacido-Romero and Sylvia Mieszkowski --
_tRevoicing Writing: An Introduction to Theorizing Vocality /
_rJorge Sacido-Romero and Sylvia Mieszkowski --
_t‘Secondary Vocality’ and the Sound Defect /
_rGarrett Stewart --
_tThe Object Voice in Romantic Irish Novels /
_rPeter Weise --
_tPoe, Voice and the Origin of Horror Fiction /
_rFred Botting --
_tDouble Voice and Extimate Singing in Trilby /
_rBruce Wyse --
_tBloom’s Neume: The Object Voice in the “Sirens” Episode in Joyce’s Ulysses /
_rPhillip Mahoney --
_tFantasizing Agency and Otherness through Voice and Voicelessness in Ellison’s Invisible Man /
_rNatalja Chestopalova --
_tThe Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark /
_rJorge Sacido-Romero --
_tVoices of Terror and Horror: Towards an Acoustics of Modern Gothic /
_rMatt Foley --
_tSanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax Uncanny in Armistead Maupin’s The Night Listener /
_rSylvia Mieszkowski --
_t“It’s only combinations of letters, after all, isn’t it”: The “Voice” and Spirit Mediums in Thomas Pynchon’s Against the Day (2006) /
_rAlexander Hope --
_t‘Voice-Trace’ in James Chapman’s How Is This Going to Continue? (2007) /
_rMarcin Stawiarski --
_tNotes on Contributors /
_rJorge Sacido-Romero and Sylvia Mieszkowski --
_tIndex /
_rJorge Sacido-Romero and Sylvia Mieszkowski.
506 _aAvailable to subscribing member institutions only.
520 _aSound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.
650 0 _aVoice (Philosophy)
650 0 _aLiterature
_xPhilosophy.
650 0 _aEssays.
650 7 _aEssays.
_2fast
650 7 _aLiterature
_xPhilosophy.
_2fast
650 7 _aVoice (Philosophy)
_2fast
700 1 _aSacido, Jorge.
700 1 _aMieszkowski, Sylvia.
776 0 8 _iPrint version:
_tSound Effects: The Object Voice in Fiction
_dLeiden, Boston : Brill | Rodopi, 2015,
_z9789004304383
830 0 _aDQR Studies in Literature
_v59.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2015, ISBN: 9789004292840.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004304406
999 _c42699
_d42699