000			03401nam a22004691i 4500
001			BRILL9789004449350
003			nllekb
005			20260610105626.0
007			cr un uuuua
008			201130s1994 ne sb 001 0 eng d
020			_a9789004449350 _q(electronic book)
020			_a9789051837827 _q(print)
024	7		_a10.1163/9789004449350 _2DOI
035			_z(OCoLC)31853399
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN94
072		7	_aAB _2bicssc
072		7	_aART _x028000 _2bisacsh
082	0	4	_a709.04A946 _223
245	0	0	_aReviews. Zeitschriften. Revues : _bDie Fackel; Die Weltbühne; Anbruch; Le Disque vert; Mécano; Versty / _cedited by Sophie Levie.
246	3		_aDie Fackel; Die Weltbühne; Anbruch; Le Disque vert; Mécano; Versty
264		1	_aLeiden; _aBoston : _bBrill | Rodopi, _c1994.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAvant-Garde Critical Studies ; _v9
490	1		_aAvant-Garde Critical Studies Online, ISBN: 9789004450059
504			_aIncludes bibliographical references and index.
505	0		_aSophie Levie: Introduction. Erik BUITINGA: Die Fackel eines Einzelgängers: Karl Kraus, das a-politische Engagement. Willem MELCHING: Kulturbolschewismus, the Weltbühne and the Arts. Paul OP DE COUL: A Viennese Journal for Modern Music: Musikblätter des Anbruch. Sophie LEVIE: 'Ouvert à tous, difficile cependant à ouvrir' - la revue belge Le Disque vert, 1921-1941. Marco ENTROP: Vive l'esprit mécanique! La revue dadaïste Mécano (1922-1923) Willem G. WESTSTEIJN: The Russian émigré-journal Versty . Résumés / Abstracts.
520			_aThis study of six early twentieth-century periodicals serves to refine the traditional image of the inter-war journal as the pre-eminent vehicle of artistic and intellectual renewal. Every periodical has its own history but general themes are clearly identified. Traces emerge of a common commitment to the internationalisation of the arts and we find early and unexpected discussion of Freud, Chaplin and Joyce in Brussels and Berlin, jazz in Vienna and Brussels, Ezra Pound in the Netherlands and Belgium. In contrast to this internationalisation are the ambitions of the various editors to play a significant role in their national cultures. This tension between national and international influences was in the first instance stimulating and innovative. Later, as a result of political and socio-economic developments, the newly achieved openness and exchange were gradually diminished and finally disappeared as did the periodicals themselves.
588			_aDescription based on print version record.
650		0	_aArts _zEurope _xExperimental methods _vPeriodicals _xHistory.
650		0	_aLiterature, Experimental _zEurope _vPeriodicals _xHistory.
650		0	_aAvant-garde (Music) _zEurope _vPeriodicals _xHistory.
700	1		_aLevie, Sophie, _eeditor.
776	0	8	_iPrint version: _tReviews. Zeitschriften. Revues : Die Fackel; Die Weltbühne; Anbruch; Le Disque vert; Mécano; Versty, _dLeiden ; Boston : Brill | Rodopi, 1994 _z9789051837827
830		0	_aAvant-Garde Critical Studies ; _v9.
830		0	_aAvant-Garde Critical Studies Online, ISBN: 9789004450059.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004449350
999			_c42313 _d42313