000 03471nam a2200577 i 4500
001 BRILL9789004341203
003 nllekb
005 20260610105613.0
007 cr un uuuua
008 170117s2017 maua sb 001 0 eng d
010 _a 2017001607
020 _a9789004341203
_q(electronic book)
020 _z9789004341180
_q(print)
024 7 _a10.1163/9789004341203
_2DOI
035 _a(OCoLC)969199231
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae-uk-en
050 4 _aNK9743
_b.C48 2017
072 7 _aCRA
_x003000
_2bisacsh
072 7 _aHB
_2bicssc
072 7 _aHIS000000
_2bisacsh
082 0 4 _a736/.40942
_223
100 1 _aChunko-Dominguez, Betsy.
245 1 0 _aEnglish Gothic misericord carvings :
_bhistory from the bottom up /
_cby Betsy Chunko-Dominguez.
264 1 _aBoston :
_bBrill,
_c2017.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aArt and material culture in Medieval and Renaissance Europe ;
_vv. 9
504 _aIncludes bibliographical references and index.
505 0 0 _aPreliminary Material -- Introduction: History from the “Bottom Up” -- 1 Meaning(s) and Medieval Misericords -- 2 Violent Women and the Clerical Gaze -- 3 The Abject and Uncanny Human Form -- 4 The Subject as Sign: Iconography of the Lay Classes -- 5 Image and Anxiety: Iconography of Hell and Damnation -- Afterword: The Vanishing Mediator -- Appendix: Dating the Misericords of Fairford -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aEnglish Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
648 7 _aTo 1500
_2fast
650 0 _aMisericords
_zEngland
_xThemes, motives.
650 0 _aWood-carving, Medieval
_zEngland
_xThemes, motives.
650 0 _aArt and society
_zEngland
_xHistory
_yTo 1500.
650 0 _aChristian art and symbolism
_zEngland
_yMedieval, 500-1500.
650 7 _aArt and society.
_2fast
650 7 _aChristian art and symbolism
_xMedieval.
_2fast
650 7 _aMisericords
_xThemes, motives.
_2fast
650 7 _aWood-carving, Medieval
_xThemes, motives.
_2fast
651 7 _aEngland.
_2fast
655 7 _aHistory.
_2fast
776 0 8 _iPrint version:
_aChunko-Dominguez, Betsy.
_tEnglish Gothic misericord carvings.
_dBoston : Brill, 2017
_z9789004341180
_w(DLC) 2017001037
830 0 _aArt and Material Culture in Medieval and Renaissance Europe
_v9.
830 0 _aEuropean History and Culture E-Books Online, Collection 2017-I, ISBN: 9789004327993.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004341203
999 _c41518
_d41518