| 000 | 05243nam a22004818i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004686878 | ||
| 003 | nllekb | ||
| 005 | 20260610105605.0 | ||
| 007 | cr un uuuua | ||
| 008 | 231123s2024 gw sb 001 0 eng d | ||
| 020 |
_a9789004686878 _q(electronic book) |
||
| 020 |
_z9789004686861 _q(print) |
||
| 024 | 7 |
_a110.1163/9789004686878 _2DOI |
|
| 035 | _z(OCoLC)1395426139 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 041 | _aeng | ||
| 050 | 4 | _aN7445.2 | |
| 072 | 7 |
_aJPFC _2bicssc |
|
| 072 | 7 |
_aPOL _x005000 _2bisacsh |
|
| 082 | 0 | 4 |
_a701/.03 _223 |
| 100 | 1 |
_aRoberts, John, _eauthor. |
|
| 245 | 1 | 0 |
_aArt and Emancipation / _cJohn Roberts. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2024. |
|
| 264 | 4 | _c©2024 | |
| 300 |
_a1 online resource (540 pages) : _billustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 |
_aHistorical Materialism Book Series ; _v301 |
|
| 490 | 1 | _aSocial Sciences E-Books Online, Collection 2024 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 |
_tFront Matter -- Preliminary Material / _rJohn Roberts -- Copyright Page / _rJohn Roberts -- Preface / _rJohn Roberts -- Acknowledgements / _rJohn Roberts -- Introduction Emancipatory Technique, the Avant-Garde and ‘Alter-Realism’ / _rKim Charnley -- Part 1 Value -- Chapter 1 Labour, Emancipation and the Critique of Craft-Skill / _rJohn Roberts -- Chapter 2 Art After Deskilling / _rJohn Roberts -- Chapter 3 The ‘Incomplete’ Commodity: Art, Value and Value-Form Theory / _rJohn Roberts -- Chapter 4 After the Crisis of Value: Some Further Reflections on Skill, Deskilling and Art / _rJohn Roberts -- Chapter 5 Notes on Craft: Marcel Duchamp, Bernard Leach and the Vessel Tradition / _rJohn Roberts -- Part 2 Technique -- Chapter 6 The Amateur’s Retort / _rJohn Roberts -- Chapter 7 The Practice of Failure / _rJohn Roberts -- Chapter 8 Trickster: Performativity and Critique in Rod Dickinson’s Crop-Circles / _rJohn Roberts -- Chapter 9 Roy Bhaskar, Critical Realism and Cultural Theory / _rJohn Roberts -- Chapter 10 The Antinomies of Iconoclasm / _rJohn Roberts -- Chapter 11 Writerly Artists: Conceptual Art, Bildung and the Intellectual Division of Labour / _rJohn Roberts -- Chapter 12 The ‘Black Debt’: Art & Language’s Writing / _rJohn Roberts -- Part 3 Praxis -- Chapter 13 Productivism and Its Contradictions / _rJohn Roberts -- Chapter 14 After Moscow Conceptualism: Reflections on the Centre and Periphery and Cultural Belatedness / _rJohn Roberts -- Chapter 15 Art After Art in the Expanded Field / _rJohn Roberts -- Chapter 16 Art, Neoliberalism and the Fate of the Commons / _rJohn Roberts -- Chapter 17 Art, ‘Enclave Theory’ and the Communist Imaginary / _rJohn Roberts -- Chapter 18 Postconceptualism and Anti-Pathos / _rJohn Roberts -- Chapter 19 Race, Black Modernism and the Critique of Identity / _rJohn Roberts -- Part 4 Image -- Chapter 20 The Political Economy of the Image / _rJohn Roberts -- Chapter 21 Realism, Alter-Realism and the Question of Legibility / _rJohn Roberts -- Chapter 22 Ideation and Photography: a Critique of François Laruelle’s Concept of Abstraction / _rJohn Roberts -- Chapter 23 Philosophy, Culture, Image: Jacques Rancière’s Constructivism / _rJohn Roberts -- Chapter 24 Some Reflections on the Image and the Early Avant-Garde: Victor Shklovsky, Error and The End of Saint Petersburg / _rJohn Roberts -- Chapter 25 After Lefebvre: The Everyday, the Image and Cultural Theory / _rJohn Roberts -- Chapter 26 Tár , Tarr , and Tarr, and Other Sticky Things. / _rJohn Roberts -- Part 5 History -- Chapter 27 Memories, History, Mnemotechnics / _rJohn Roberts -- Chapter 28 Dialectic and Post-Hegelian Dialectic (Again): Žižek, Bhaskar, Badiou / _rJohn Roberts -- Chapter 29 On Error: Hegel and Spinoza / _rJohn Roberts -- Chapter 30 Art and the Politics of Time-as-Substance / _rJohn Roberts -- Chapter 31 ‘The Newest in What Is Oldest’: History, Historicism and the Temporality of the Avant-Garde / _rJohn Roberts -- Back Matter -- Bibliography / _rJohn Roberts -- Index / _rJohn Roberts. |
|
| 520 | _aAcross a powerfully wide-ranging set of themes, theoretical registers and historical examples, John Roberts analyses the key problems that continue to confront art after conceptual art, in the light of art’s longstanding relationship to market and institution the commodity and mass culture: namely, artistic labour and technology, modernity and the ‘new’, art and negation, identity and subjectivity, agency and audience, form and value. In these terms, the book provides a rigorous and ambitious, examination of the limits and possibilities of art’s contribution to emancipatory discourse and practice. | ||
| 546 | _aEnglish | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aArt. | |
| 650 | 0 | _aCapitalism. | |
| 776 | 0 | 8 |
_iPrint version: _tArt and Emancipation. _dLeiden ; Boston : Brill, 2024. _z9789004686861 _w(DLC) 2023039214 |
| 830 | 0 |
_aHistorical Materialism Book Series ; _v301. |
|
| 830 | 0 | _aSocial Sciences E-Books Online, Collection 2024. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004686878 |
|
| 999 |
_c41026 _d41026 |
||