000			03616nam a22005178i 4500
001			BRILL9783969752661
003			nllekb
005			20260610105559.0
007			cr un uuuua
008			220930s2022 gw sb 001 0 eng d
020			_a9783969752661 _q(electronic book)
020			_a9783957432667 _q(print)
024	7		_a10.30965/9783969752661 _2DOI
035			_z(OCoLC)1343925721
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aBQ4570
072		7	_aDSK _2bicssc
072		7	_aLIT _x000000 _2bisacsh
082	0	4	_a294.3444 _223
245	0	0	_aNegative Emotions in the Reception of Fictional Narratives : _bA Cognitive Approach / _cedited by Márta Horváth and Gábor Simon.
246	3		_aA Cognitive Approach
264		1	_aPaderborn : _bMentis, Brill Deutschland, _c2022.
264		4	_c©2022
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aPoetogenesis - Studien zur empirischen Anthropologie der Literatur ; _v13
490	1		_aSchöningh and Fink Literature and Culture Studies E-Books Online, Collection 2022
504			_aIncludes bibliographical references and index.
505	0		_tPreliminary Material -- Copyright page -- The Pleasure of Fear: The Roller-Coaster Ride / _rAndrás Bálint Kovács -- Felt versus Perceived Emotions / _rMárta Horváth -- Fear and Agency in Survival Horror / _rJudit Szabó -- The Psychological Dilemmas of Death: Anxiety Rationalized / _rCsenge E. Aradi -- From Aversive Look to “The Loathsome Depths of Disgust” / _rGábor Simon -- Presented and Felt Negative Emotions in Kafka’s Die Verwandlung and During Reading the Novella / _rErzsébet Szabó -- Choreographies of Pain / _rDaniel Kulle -- Saga Literacy / _rZsófia Domsa -- Moral Reasoning and Empathic Distress / _rJudit Szabó -- “I Am Not Talking About Insomnia.” / _rLilla Farmasi -- List of Contributors -- Index.
520			_aAn important aspect of narrative motivation is emotional understanding. The sequence of events completes an emotional cadence in the audience, which makes narratives meaningful for them. In this regard, negative emotions have an outstanding role. Based on general emotion-theories, positive emotions support approaching action tendencies while negative emotions endorse distancing and avoiding. However, this notion is not valid for aesthetic reception, because as research shows, aesthetic objects eliciting negative emotions greatly attract recipients and increase the intensity of the aesthetic experience. In aesthetic experience, it seems, negative emotions interweave with pleasure; moreover, they can be a source of pleasure. The studies of this volume discuss the role of negative emotions in the reception of fictional narratives with special interest to fear and disgust.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aBuddhism _xPsychology.
650		0	_aEmotions _xReligious aspects _xBuddhism.
650		0	_aHappiness.
700	1		_aHorváth, Márta, _eeditor.
700	1		_aSimon, Gábor, _eeditor.
776	0	8	_iPrint version: _tNegative Emotions in the Reception of Fictional Narratives : A Cognitive Approach. _dPaderborn : Mentis, Brill Deutschland, 2022. _z9783957432667
830		0	_aPoetogenesis - Studien zur empirischen Anthropologie der Literatur ; _v13
830		0	_aSchöningh and Fink Literature and Culture Studies E-Books Online, Collection 2022.
856	4		_zDOI: _uhttp://dx.doi.org/10.30965/9783969752661
999			_c40702 _d40702