000			03620nam a2200565 i 4500
001			BRILL9789004360808
003			nllekb
005			20260610105558.0
007			cr un uuuua
008			180103s2018 ne sb 000 0 eng d
010			_a 2018000034
020			_a9789004360808 _q(electronic book)
020			_z9789004335653 _q(print)
024	7		_a10.1163/9789004360808 _2DOI
035			_a(OCoLC)1019844623
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-it---
050		4	_aNA9348.I8 _bM38 2018
072		7	_aARC _x022000 _2bisacsh
072		7	_aARC _x024010 _2bisacsh
072		7	_aARC _x015000 _2bisacsh
072		7	_aARC _x012000 _2bisacsh
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a720.945/09021 _223
100	1		_aMathews, Karen R.
245	1	0	_aConflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 / _cby Karen Rose Mathews.
264		1	_aLeiden ; _aBoston : _bBrill, _c2018.
300			_a1 online resource (238 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aThe Medieval Mediterranean : peoples, economies and cultures, 400-1500 ; _vv. 112
504			_aIncludes bibliographical references.
505	0	0	_aFront Matter -- Contents -- Introduction Visualizing Conflict and Commerce in the Maritime Cities of Medieval Italy -- Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy -- Emulation of and Appropriation from Byzantium in Venetian Visual Culture -- The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches -- Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa -- Conclusion Shifting Significations of the Spolia Aesthetic.
506			_aAvailable to subscribing member institutions only.
520			_aIn Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150 , Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aMonuments _zItaly _xHistory _yTo 1500.
650		0	_aAppropriation (Architecture) _zItaly _xHistory _yTo 1500.
650		0	_aBuilding materials _xRecycling _xHistory _zItaly _yTo 1500.
650		0	_aArchitecture and society _zItaly _xHistory _yTo 1500.
650		0	_aCity-states _zItaly _xCivilization.
651		0	_aItaly _xCivilization _y476-1268.
776	0	8	_iPrint version: _aMathews, Karen R., author. _tConflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 _dLeiden ; Boston : Brill, 2018 _z9789004335653 _w(DLC) 2017052796
830		0	_aThe Medieval Mediterranean _v112.
830		0	_aEuropean History and Culture E-Books Online, Collection 2018-I, ISBN: 9789004353299.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004360808
999			_c40654 _d40654