000 03230nam a2200481 i 4500
001 BRILL9789047419952
003 nllekb
005 20260610105555.0
007 cr un uuuua
008 070820s2007 ne a sb 000 0 eng
010 _a 2007298876
015 _aGBA721250
_2bnb
016 7 _a013695116
_2Uk
016 7 _aB0706729
_2bccb
020 _a9789047419952
_q(electronic book)
020 _z9789004156432
_q(print)
024 7 _a10.1163/ej.9789004156432.i-349
_2DOI
035 _a(OCoLC)85898551
040 _aNL-LeKB
_cNL-LeKB
_erda
042 _alccopycat
050 4 _aPL2386
_b.X53 2007
082 0 4 _a895.124609
_222
082 0 4 _a895.14609
_222
100 1 _aXiao, Li-ling,
_d1964-
245 1 4 _aThe eternal present of the past :
_billustration, theatre, and reading in the Wanli period, 1573-1619 /
_cLi-ling Hsiao.
264 1 _aLeiden :
_aBiggleswade :
_bBrill ;
_bExtenza Turpin [distributor],
_c2007.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aBrill eBook titles 2007
504 _aIncludes bibliographical references (p. [313]-334) and index.
505 0 0 _tPreliminary Materials /
_rL. Hsiao --
_tIntroduction: Theater, Illustration, And Time /
_rL. Hsiao --
_tChapter One. Toward The Contextualization Of Woodblock Illustration: A Critique Of Art Historical Method /
_rL. Hsiao --
_tChapter Two. The Stage Or The Page: Competing Conceptions Of The Play In The Wanli Period /
_rL. Hsiao --
_tChapter Three. Performance Illustration /
_rL. Hsiao --
_tChapter Four. Performance As An Interaction With The Past /
_rL. Hsiao --
_tChapter Five. Image As An Interaction With The Past /
_rL. Hsiao --
_tChapter Six. Reading As An Interaction With The Past /
_rL. Hsiao --
_tConclusion: The Role Of The Publisher /
_rL. Hsiao --
_tAppendix /
_rL. Hsiao --
_tGlossary /
_rL. Hsiao --
_tBibliography /
_rL. Hsiao --
_tIndex /
_rL. Hsiao.
506 1 _aAvailable to subscribing member institutions only.
520 _aThis study draws together various elements in late Ming culture – illustration, theater, literature – and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld. By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing.
650 0 _aChinese drama
_yMing dynasty, 1368-1644
_xHistory and criticism.
776 0 _tEternal present of the past
_z9789004156432
_z9004156437
830 0 _aChina Studies
_v12.
830 0 _aAsian Studies E-Books Online, Collection 2007, ISBN: 9789004215290.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/ej.9789004156432.i-349
994 _aC0
_bNEIDC
999 _c40455
_d40455