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_a10.1163/9789004682641 _2DOI |
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_aImago and Contemplatio in the Visual Arts and Literature (1400–1700) : _bFestschrift for Walter S. Melion / _cedited by Stijn P.M. Bussels, Karl A.E. Enenkel, Michel Weemans and Elliott D. Wise. |
| 246 | 3 | _aFestschrift for Walter S. Melion | |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2024. |
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| 264 | 4 | _c©2024 | |
| 300 |
_a1 online resource (540 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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| 490 | 1 | _aEarly Modern History and Modern History E-Books Online, Collection 2024 | |
| 490 | 1 |
_aIntersections ; _v88 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 |
_tPreliminary Material / _rStijn P.M. Bussels , Karl A.E. Enenkel , Michel Weemans , and Elliott D. Wise -- Chapter 1 Expecting Efficacy / _rJohn Decker -- Chapter 2 Deus ex machina - Remarks on Early-Netherlandish Art of Devotion / _rReindert L. Falkenburg -- Chapter 3 Mediating the Holy: A Living Saint and the Status of the Image in Pre-Modern Augsburg / _rAshley D. West -- Chapter 4 Panis Angelicus: The Christ Child among Angels in Early Sixteenth-Century Northern Art / _rLarry Silver -- Chapter 5 Private Devotion within the Imperial Network / _rDagmar Eichberger -- Chapter 6 The Stained Glass Windows of the Great Cloister of the Leuven Charterhouse: Between Memoria and Spiritual Edification? / _rIngrid Falque -- Chapter 7 Catechizing the Cross / _rLee Palmer Wandel -- Chapter 8 Temple Priests and Pharisees on Calvary: Anti-Judaism and Humanism in Maarten van Heemskerck's Crucifixion (c.1549) / _rShelley Perlove -- Chapter 9 Rubens and the Virgin Mary / _rColette Nativel -- Chapter 10 ‘Vulnera Christi Medicina animarum': The Pentalpha and the Five Wounds in Willem de Wael a Vronesteyn's Corona sacratissimorum Iesu Christi vulnerum (1649) / _rJames Clifton -- Chapter 11 God's Kiss to Humanity: Seeing the Incarnation through the Eyes of Francis de Sales / _rJoseph F. Chorpenning -- Chapter 12 Exemplum: Model Books, Memory, and Traces of Marian Devotion Circa 1400 / _rC. Jean Campbell -- Chapter 13 Silver and Gold I Do Not Have: Lambert Suavius's Saint Peter Healing the Paralytic Man (1553) and the Poor Beauty of Engraving / _rEdward H. Wouk -- Chapter 14 All Cretans Lie: Pieter Bruegel's ‘Misanthrope' in a New Interpretation / _rJürgen Müller -- Chapter 15 Image and Honour: Nicholas Sander and the Council of Trent / _rWietse de Boer -- Chapter 16 Go from Fiction to the Truth!: Mennonitism and Humanism in Van Mander's Theory of Painting / _rBoudewijn Bakker -- Chapter 17 Homo in Imagine [Impressa] Ambulat , The Proof of the (Engraved) Image / _rRalph Dekoninck -- Chapter 18 The Problem of Ultraviolence in Modern Martyrology Narratives and Images, a Research Proposal / _rPierre-Antoine Fabre -- Chapter 19 Quentin Massys's Deceptions in Plain Sight / _rBret L. Rothstein -- Chapter 20 Animal Fables of Contemplation / _rPaul J. Smith -- Chapter 21 Self-reflection in a Troubled Age: Gillis Anselmo's album amicorum and an Astrolabe Made by Michiel Coignet / _rChristine Göttler -- Chapter 22 ‘As Did Bruegel': David Vinckboons' Agony in the Garden as Proleptic Sacred Landscape / _rArt DiFuria -- Chapter 23 Notes on Galileo's Moon / _rBarbara Baert -- Chapter 24 Hermeneutics and Allegory in Desmarets de Saint-Sorlin's Les Délices de l'esprit (1658): from Visual to Figural Exegesis / _rAgnès Guiderdoni. |
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| 520 | _aThis volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: "Devotion," "Art and Image Theory," and "Vision and Contemplation." The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists' reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye' as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories. | ||
| 546 | _aEnglish | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aArt History. | |
| 650 | 0 | _aEarly Modern History. | |
| 700 | 1 |
_aEnenkel, Karl A.E., _eeditor. |
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| 776 | 0 | 8 |
_iPrint version: _tImago and Contemplatio in the Visual Arts and Literature (1400–1700) : Festschrift for Walter S. Melion. _dLeiden ; Boston : Brill, 2024. _z9789004682634 _w(OCoLC)1420610088 _w(DLC) 2024930482 |
| 830 | 0 | _aEarly Modern History and Modern History E-Books Online, Collection 2024. | |
| 830 | 0 |
_aIntersections ; _v88. |
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| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004682641 |
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_c39931 _d39931 |
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