000			03403nam a2200505 i 4500
001			BRILL9789004334830
003			nllekb
005			20260610105534.0
007			cr un uuuua
008			160908s2016 mau sb 001 0 eng d
010			_a 2016041468
020			_a9789004334830 _q(electronic book)
020			_z9789004319745 _q(print)
024	7		_a10.1163/9789004334830 _2DOI
035			_a 2016041468 _6ORIG
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-be---
050		4	_aN8660.F665
072		7	_aAC _2bicssc
072		7	_aART015000 _2bisacsh
082	0	4	_a709.2 _223
100	1		_aGinhoven, Sandra van.
245	1	0	_aConnecting art markets : _bGuilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / _cby Sandra van Ginhoven.
264		1	_aBoston : _bBrill, _c2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aStudies in the history of collecting & art markets ; _vv. 1
500			_aOutgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century.
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Introduction -- 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt -- 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade -- 3 The Forchondt Business Model -- 4 Marketing Paintings through their Characteristics -- 5 The Long-Distance Commercial Network with Spain and the Americas -- 6 Dealer Behavior in Spain and the Americas -- Conclusion -- Appendices -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aBased on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
600	1	0	_aForchondt, Guilliam, _d1608-1678.
650		0	_aArt dealers _zBelgium _zAntwerp _xHistory _y17th century.
650		0	_aPainting _xMarketing _xHistory _y17th century.
650		0	_aPainting _xCollectors and collecting _xHistory _y17th century.
776	0	8	_iPrint version: _aGinhoven, Sandra van, author. _tConnecting art markets _dBoston : Brill, 2016 _z9789004319745 _w(DLC) 2016041112
830		0	_aStudies in the History of Collecting & Art Markets _v1.
830		0	_aEuropean History and Culture E-Books Online, Collection 2016-II, ISBN: 9789004303881.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004334830
999			_c39240 _d39240