000			06147nam a2200505 i 4500
001			BRILL9789004228320
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005			20260610105534.0
007			cr un uuuua
008			120110s2012 mau sb 001 0 eng d
010			_a 2012001118
020			_a9789004228320 _q(electronic book)
020			_z9789004185555 _q(print)
024	7		_a10.1163/9789004228320 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae------
050		4	_aN5970 _b.R25 2012
072		7	_aN _2lcco
072		7	_aHBLC1 _2bicssc
072		7	_aHIS _x037010 _2bisacsh
082	0	4	_a704/.0420902 _223
245	0	0	_aReassessing the roles of women as 'makers' of medieval art and architecture / _cedited by Therese Martin.
264		1	_aBoston : _bBrill, _c2012.
300			_a1 online resource (2 volumes) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aVisualising the Middle Ages ; _vv. 7
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material -- _t1 Exceptions and Assumptions: Women in Medieval Art History / _rTherese Martin -- _t2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / _rMelissa R. Katz -- _t3 Mere Embroiderers? Women and Art in Early Medieval Ireland / _rJenifer Ní Ghrádaigh -- _t4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / _rEllen M. Shortell -- _t5 The Roles of Women in Late Medieval Civic Pageantry in England / _rNicola Coldstream -- _t6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / _rAlexandra Gajewski -- _t7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / _rJane Tibbetts Schulenburg -- _t8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / _rRachel Moss -- _t9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / _rEileen McKiernan González -- _t10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / _rStefanie Seeberg -- _t11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / _rPierre Alain Mariaux -- _t12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / _rJaroslav Folda -- _t13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / _rMaría Elena Díez Jorge -- _t14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / _rKatrin Kogman-Appel -- _t15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / _rLoveday Lewes Gee -- _t16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / _rGlaire D. Anderson -- _t17 The First Queens of Portugal and the Building of the Realm / _rMiriam Shadis -- _t18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / _rJane Carroll -- _t19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / _rAnnie Renoux -- _t20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / _rLoretta Vandi -- _t21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / _rMickey Abel -- _t22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / _rNancy L. Wicker -- _t23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / _rAna Maria S.A. Rodrigues -- _t24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / _rFelipe Pereda -- _tBibliography -- _tIndex of People -- _tIndex of Places -- _tIndex of Subjects.
506			_aAvailable to subscribing member institutions only.
520			_aThese volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
650		0	_aArt, Medieval.
650		0	_aArchitecture, Medieval.
650		0	_aWomen artists _zEurope _xHistory _yTo 1500.
650		0	_aWomen art patrons _zEurope _xHistory _yTo 1500.
650		0	_aArt and society _zEurope _xHistory _yTo 1500.
650		0	_aArchitecture and society _zEurope _xHistory _yTo 1500.
700	1		_aMartin, Therese.
776	0	8	_iPrint version: _tReassessing the Roles of Women as 'Makers' of Medieval Art and Architecture _dLeiden, Boston : BRILL, 2012, _z9789004185555
830		0	_aVisualising the Middle Ages _v7.
830		0	_aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004228320
999			_c39222 _d39222