| 000 | 03405cam a2200577Ii 4500 | ||
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| 001 | BRILL9789401200554 | ||
| 003 | nllekb | ||
| 005 | 20260610105531.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110729s2011 ne a sb 001 0 eng d | ||
| 020 |
_a9789401200554 _q(electronic book) |
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| 020 |
_z9789042033566 _q(print) |
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| 024 | 7 |
_a10.1163/9789401200554 _2DOI |
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| 035 |
_a(OCoLC)743298882 _z(OCoLC)741492996 _z(OCoLC)961512510 _z(OCoLC)962579107 _z(OCoLC)988509109 _z(OCoLC)991955208 |
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_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _au-at--- | ||
| 050 | 4 |
_aPR9611.2 _b.H36 2011eb |
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| 072 | 7 |
_aDRA _x003000 _2bisacsh |
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| 072 | 7 |
_aAN _2bicssc |
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| 072 | 7 |
_aDRA000000 _2bisacsh |
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| 082 | 0 | 4 |
_a822/.009 _223 |
| 100 | 1 | _aHamilton, Margaret. | |
| 245 | 1 | 0 |
_aTransfigured stages : _bmajor practitioners and theatre aesthetics in Australia / _cMargaret Hamilton. |
| 264 | 1 |
_aAmsterdam ; _aNew York, NY : _bRodopi. |
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| 264 | 4 | _c©2011. | |
| 300 |
_a1 online resource (243 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aAustralian playwrights ; _vv. 14 |
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| 504 | _aIncludes bibliographical references (p. 213-232) and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- List of Figures -- Series Editor’s Preface -- Acknowledgements -- Introduction -- Open City and the Politics of the Everyday -- The Sydney Front and Grotesque Realism -- Jenny Kemp’s Landscapes of the Psyche -- The Aboriginal Protesters Confront the Postdramatic Text -- An International Perspective on the Postdramatic Theatre Text -- (Trans)forming the Lexicon of “Theatre” in Australia -- Conclusion -- Bibliography -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aTransfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 – 1993) and Open City (1987 – ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996. | ||
| 648 | 7 |
_a1900-1999 _2fast |
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| 650 | 0 |
_aAustralian drama _y20th century _xHistory and criticism. |
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| 650 | 0 |
_aPerformance art _zAustralia. |
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| 650 | 0 |
_aPostmodernism _zAustralia. |
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| 650 | 0 | _aAesthetics. | |
| 650 | 7 |
_aAesthetics. _2fast |
|
| 650 | 7 |
_aAustralian drama. _2fast |
|
| 650 | 7 |
_aPerformance art. _2fast |
|
| 650 | 7 |
_aPostmodernism. _2fast |
|
| 651 | 7 |
_aAustralia. _2fast |
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| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 776 | 0 | 8 |
_iPrint version: _aHamilton, Margaret. _tTransfigured stages. _dAmsterdam ; New York, NY : Rodopi, 2011 _z9789042033566 _w(OCoLC)741754285 |
| 830 | 0 |
_aAustralian Playwrights _v14. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401200554 |
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| 999 |
_c39075 _d39075 |
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