000			03667cam a2200469Ii 4500
001			BRILL9789004390522
003			nllekb
005			20260610105529.0
007			cr un uuuua
008			170829s2017 ne sb 001 0 eng d
020			_a9789004390522 _q(electronic book)
020			_z9789004390140 _q(print)
024	7		_a10.1163/9789004390522 _2DOI
035			_a(OCoLC)1066187374
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aN7850 _b.B33 2019
072		7	_aHB _2bicssc
072		7	_aHIS _x000000 _2bisacsh
082	0	4	_a704.9/482 _223
100	1		_aBaert, Barbara.
245	1	0	_aInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture _cBarbara Baert.
264		1	_aLeiden, _aBoston : _bBRILL, _c2019.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aArt and Material Culture in Medieval and Renaissance Europe ; _vv. 14
490	0		_aLate Antiquity and Medieval Studies E-Books Online, Collection 2019, ISBN: 9789004386303
504			_aIncludes bibliographical references and index.
505	0	0	_aFront Matter -- Copyright Page -- Dedication/Epigraph -- List of Illustrations -- First Publication -- Copyrights -- Introduction or Thresholds 1 -- 1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition 11 -- 2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses 36 -- 3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture 73 -- 4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses 131 -- 5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology 169 -- 6 Wild Is the Wind: Pathosformel and Iconology of a Quintessence 221 -- Conclusions 256 -- Back Matter -- Bibliography -- Index of Names.
506			_aAvailable to subscribing member institutions only.
520			_aInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere , the woman with an issue of blood, the Johannesschüssel , the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
650		0	_aChristian art and symbolism _zEurope _yMedieval, 500-1500.
650		0	_aChristian art and symbolism _zEurope _yModern period, 1500-
650		0	_aSenses and sensation in art.
650		0	_aArt and society _zEurope.
776	0	8	_iPrint version: _tInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture _dLeiden ; Boston : BRILL, 2019, _z9789004390140
830		0	_aArt and Material Culture in Medieval and Renaissance Europe _v14.
830		0	_aLate Antiquity and Medieval Studies E-Books Online, Collection 2019, ISBN: 9789004386303.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004390522
999			_c38955 _d38955