000			03893cam a22005058i 4500
001			BRILL9789004396852
003			nllekb
005			20260610105526.0
007			cr un uuuua
008			190323s2019 ne b 001 0 eng c
020			_a9789004396852 _q(electronic book)
020			_z9789004372818 _q(print)
024	7		_a10.1163/9789004396852 _2DOI
035			_a(OCoLC)1096214217
040			_aNL-LeKB _cNL-LeKB _erda
050	0	0	_aAM133 _b.E95 2019
072		7	_aABC _2bicssc
072		7	_aART _x006000 _2bisacsh
082	0	0	_a069/.5 _223
245	0	4	_aThe explicit material : _binquiries on the intersection of curatorial and conservation cultures / _cedited by Hanna B. Hölling, Francesca G. Bewer, Katharina Ammann.
264		1	_aLeiden Boston : _bBRILL, _c2019.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aStudies in Art & Materiality; _vvolume1
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310
504			_aIncludes bibliographical references and index.
505	0	0	_tFront Matter -- Copyright page -- Dedication -- Preface / _rHanna B. Hölling -- Figures -- Contributors -- Material Encounters / _rHanna B. Hölling, Francesca G. Bewer and Katharina Ammann -- Time and Change in Material and Object Inquiries -- A Sea-Change Rich and Strange / _rDavid Lowenthal -- The Present, the Past, and the Material Object / _rPaul Eggert -- Engaging with Materials / _rElizabeth Pye -- Explicating the Performative: Material, Medium, Object -- The ‘Extended Life’ of Performance / _rJudit Bodor -- Framing Intention / _rKatharina Ammann -- Out of the Box / _rAnna Schäffler -- The Louvre on Celluloid / _rBirgit Cleppe -- The Making and Unmaking of Objects and Myths -- The Material Forms of the Past and the ‘Afterlives’ of the Compositiones variae / _rThea Burns -- Would You Like That With or Without Mayo? / _rDawn V. Rogala -- Transitions -- Materials, Objects, Transitions -- Back Matter -- Index.
520			_aThe Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation.
650		0	_aMuseums _xCollection management _xPhilosophy.
650		0	_aMuseums _xCuratorship _xPhilosophy.
650		0	_aMuseum conservation methods _xPhilosophy.
650		0	_aArt _xConservation and restoration.
650		0	_aAntiquities _xCollection and preservation.
650		0	_aMaterial culture _xPhilosophy.
700	1		_aHölling, Hanna, _eeditor.
700	1		_aBewer, Francesca G. _q(Francesca Gabrielle), _d1960- _eeditor.
700	1		_aAmmann, Katharina, _eeditor.
776	0	8	_iPrint version: _tThe explicit material: inquiries on the intersection of curatorial and conservation cultures, _dLeiden Boston: BRILL, 2019 _w9789004372818
830		0	_aStudies in Art & Materiality; _vvolume1.
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004396852
999			_c38796 _d38796