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| 001 | BRILL9789401207416 | ||
| 003 | nllekb | ||
| 005 | 20260610105518.0 | ||
| 007 | cr un uuuua | ||
| 008 | 120308s2012 ne a sb 000 0 eng d | ||
| 010 | _a 2015304451 | ||
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_a9789401207416 _q(electronic book) |
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| 020 |
_z9789042034570 _q(print) |
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_a10.1163/9789401207416 _2DOI |
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_a(OCoLC)779881714 _z(OCoLC)907139074 |
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_aNL-LeKB _cNL-LeKB _erda |
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| 041 | 1 |
_aeng _hger |
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| 050 | 4 |
_aB828.47 _b.D47 2012 |
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_aJFC _2bicssc |
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_aSOC022000 _2bisacsh |
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| 082 | 0 | 4 | _a306 |
| 245 | 0 | 0 |
_aDestruction in the performative / _cedited and with an introduction by Alice Lagaay and Michael Lorber. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi B.V., _c2012. |
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_a1 online resource (212 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _2rdacarrier |
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| 490 | 1 |
_aCritical studies ; _vv. 36 |
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| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rAlice Lagaay and Michael Lorber -- _tIntroduction: Destruction in the Performative / _rAlice Lagaay and Michael Lorber -- _tRecognition and Disrespect: Lordship and Bondage in Hegel’s Phenomenology of Spirit / _rSteffen K. Herrmann -- _tHegemonic Listening and Subversive Silences: Ethical-political Imperatives / _rNikita Dhawan -- _tTwo Saints and the Power of the Auditive / _rRebecca Wolf -- _tAcoustic Violence in Contemporary German Theatre / _rJenny Schrödl -- _tAsceticism Poses a Threat: The Enactment of Voluntary Hunger / _rBarbara Gronau -- _tSalomania – Trans and Trans-temporal: A Queer Archaeology of Destructiveness / _rRenate Lorenz -- _tMasochistic Self-shattering between Destructiveness and Productivity / _rVolker Woltersdorff -- _tTriggering Latency Zones in Modern Society: Richard Serra’s Sculptures within the Urban Setting / _rKristiane Hasselmann -- _tCreative Destructions: Gabriel Tarde’s Concept of a Passionate Economy / _rKatja Rothe -- _tCode Decay: Organizational Performance and Destructivity / _rRobert Schmidt -- _tList of Contributors / _rAlice Lagaay and Michael Lorber. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aCultural transformation tends to be described in one of two ways: either with reference to what comes about, is created or emerges in the process of change or with reference to what is destroyed or obscured in that process. Within a performative paradigm, that is, from a perspective which focuses on the manner in which social and cultural reality is constituted or brought about by human activity, theorists have, in recent years, tended to underline the productive aspects of transformation by emphasising the creative thrust of performative processes and events. In so doing, this perspective has tended to overlook the extent to which a certain destructive element may in fact be inherent to such performative processes. Drawing upon a range of historical and contemporary constellations of socio-cultural change and a variety of different types of events and activities, the articles in this volume describe different forms of destruction and their respective role in processes of transformation. Their shared aim is to explore the manner in which destructivity, such as the destabilisation and destruction of orders, subjects and bodies, can be grasped by concepts of performativity. In other words, to what extent may a certain destructive dynamic be inscribed within this very notion? | ||
| 546 | _aTexts in English, translated from German. | ||
| 650 | 0 | _aPerformative (Philosophy) | |
| 650 | 0 | _aCreative destruction. | |
| 650 | 7 |
_aCreative destruction. _2fast |
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| 650 | 7 |
_aPerformative (Philosophy) _2fast |
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| 700 | 1 | _aLagaay, Alice. | |
| 700 | 1 | _aLorber, Michael. | |
| 776 | 0 | 8 |
_iPrint version: _tDestruction in the Performative _dLeiden, Boston : Brill | Rodopi, 2012, _z9789042034570 |
| 830 | 0 |
_aCritical Studies _v36. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2012, ISBN: 9789004357907. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401207416 |
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_c38314 _d38314 |
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