000			03597nam a22004811i 4500
001			BRILL9789004449374
003			nllekb
005			20260610105511.0
007			cr un uuuua
008			201130s1996 ne sb 001 0 eng d
020			_a9789004449374 _q(electronic book)
020			_a9789051839593 _q(print)
024	7		_a10.1163/9789004449374 _2DOI
035			_z(OCoLC)36179211
040			_aNL-LeKB _cNL-LeKB _erda
050	0	0	_aPN1270.5
072		7	_aAC _2bicssc
072		7	_aART _x015000 _2bisacsh
082	0	0	_a809.1
245	0	0	_aExperimental - Visual - Concrete : _bAvant-Garde Poetry Since the 1960s / _cedited by Eric Vos, Johanna Drucker.
246	3		_aAvant-Garde Poetry Since the 1960s
264		1	_aLeiden; _aBoston : _bBrill | Rodopi, _c1996.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAvant-Garde Critical Studies ; _v10
490	1		_aAvant-Garde Critical Studies Online, ISBN: 9789004450059
504			_aIncludes bibliographical references and index.
520			_aThis book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
588			_aDescription based on print version record.
650		0	_aConcrete poetry _xHistory and criticism.
650		0	_aExperimental poetry _xHistory and criticism.
650		0	_aConcrete poetry _xHistory and criticism..
650		0	_aAvant-garde (Aesthetics)
700	1		_aVos, Eric, _eeditor.
700	1		_aDrucker, Johanna, _eeditor.
776	0	8	_iPrint version: _tExperimental - Visual - Concrete : Avant-Garde Poetry Since the 1960s, _dLeiden ; Boston : Brill | Rodopi, 1996 _z9789051839593 _w(DLC) 97106468
830		0	_aAvant-Garde Critical Studies ; _v10.
830		0	_aAvant-Garde Critical Studies Online, ISBN: 9789004450059.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004449374
999			_c37892 _d37892